Risale-i NurLem'alar

İfade-i Meram

Lem'alar · s.284

Onüç seneden beri kalbim, aklım ile imtizaç edip Kur'an-ı Mu'cizü'l-Beyan'ın ﻟَﻌَﻠَّﻜُﻢْ ﺗَﺘَﻔَﻜَّﺮُﻭﻥَ ٭ ﻟَﻌَﻠَّﻬُﻢْ ﻳَﺘَﻔَﻜَّﺮُﻭﻥَ ٭ ﺍَﻭَﻟَﻢْ ﻳَﺘَﻔَﻜَّﺮُﻭﺍ ﻓ۪ٓﻰ ﺍَﻧْﻔُﺴِﻬِﻢْ ﻣَﺎ ﺧَﻠَﻖَ ﺍﻟﻠّٰﻪُ ﺍﻟﺴَّﻤٰﻮَﺍﺕِ ﻭَ ﺍﻻﺎَﺭْﺽَ ٭ ﻻﺎٰﻳَﺎﺕٍ ﻟِﻘَﻮْﻡٍ ﻳَﺘَﻔَﻜَّﺮُﻭﻥَ gibi âyetler ile emrettiği tefekkür mesleğine teşvik ettiği ve ﺗَﻔَﻜُّﺮُ ﺳَﺎﻋَﺔٍ ﺧَﻴْﺮٌ ﻣِﻦْ ﻋِﺒَﺎﺩَﺓِ ﺳَﻨَﺔٍ hadîs-i şerifi bazan bir saat tefekkür bir sene ibadet hükmünde olduğunu beyan edip, tefekküre azîm teşvikat yaptığı cihetle, ben de bu onüç seneden beri meslek-i tefekkürde akıl ve kalbime tezahür eden büyük nurları ve uzun hakikatları kendime muhafaza etmek için işarat nev'inden bazı kelimatı o envâra delalet etmek için değil, belki vücudlarına işaret ve tefekkürü teshil ve intizamı muhafaza için vaz'ettim. Gayet muhtelif Arabî ibarelerle kendi kendime o tefekkürde gittiğim zaman, o kelimatı lisanen zikrediyordum. Bu uzun zamanda ve binler defa tekrarında ne bana usanç geliyordu ve ne de verdiği zevk noksanlaşıyordu ve ne de onlara ihtiyac-ı ruhî zâil oluyordu. Çünki bütün o tefekkürat, âyât-ı Kur'aniyenin lemaatı olduğundan; âyâtın bir hâssası olan usandırmamak ve halâvetini muhafaza etmek hâssasının bir cilvesi, o tefekkür âyinesinde temessül etmiştir. Bu âhirde gördüm ki: Risale-i Nur'un eczalarındaki kuvvetli ukde-i hayatiye ve parlak nurlar, o silsile-i tefekküratın lem'alarıdır. Bana ettikleri tesiri başka zâtlara da edeceği düşüncesiyle, âhir ömrümde mecmuunu kaleme almak niyet etmiştim. Gerçi çok mühim parçaları risalelerde dercedilmiştir; fakat heyet-i mecmuasında başka bir kuvvet ve kıymet bulunacaktır. Âhir-i ömür muayyen olmadığı için, bu hapisteki mahkûmiyetim ve vaziyetim ölümden daha beter bir şekil aldığından, âhir-i hayatı beklemiyerek, kardeşlerimin ısrar ve ilhahları ile, tağyir etmeyerek, o silsile-i tefekkürat"yedi bâb"üstünde yazıldı. [Bu Lem'anın diğer altı bâbı, teksir Lem'alar mecmuasında neşredilmiştir.] ﺍَﻟْﺒَﺎﺏُ ﺍﻟﺜَّﺎﻟِﺚُ ﻓ۪ﻰ ﻣَﺮَﺍﺗِﺐِ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ Otuzüç mertebesinden yedi mertebeyi zikredeceğiz. O mertebelerden mühim bir kısmı, Yirminci Mektub'un İkinci Makamında ve Otuzikinci Söz'ün İkinci Mevkıfının âhirinde ve Üçüncü Mevkıfının evvelinde izah edilmiştir. Şu mertebelerin hakikatını anlamak isteyenler, o iki Söze müracaat etsinler. ﺍَﻟْﻤَﺮْﺗَﺒَﺔُ ﺍﻻﺎُﻭﻟٰﻰ ﻭَ ﻗُﻞِ ﺍﻟْﺤَﻤْﺪُ ﻟِﻠّٰﻪِ ﺍﻟَّﺬ۪ﻯ ﻟَﻢْ ﻳَﺘَّﺨِﺬْ ﻭَﻟَﺪًﺍ ﻭَ ﻟَﻢْ ﻳَﻜُﻦْ ﻟَﻪُ ﺷَﺮ۪ﻳﻚٌ ﻓِﻰ ﺍﻟْﻤُﻠْﻚِ ﻭَ ﻟَﻢْ ﻳَﻜُﻦْ ﻟَﻪُ ﻭَﻟِﻰٌّ ﻣِﻦَ ﺍﻟﺬُّﻝِّ ﻭَ ﻛَﺒِّﺮْﻩُ ﺗَﻜْﺒ۪ﻴﺮًﺍ ﻟَﺒَّﻴْﻚَ ﻭَ ﺳَﻌْﺪَﻳْﻚَ ﺟَﻞَّ ﺟَﻼﺎﻟُﻪُ ٭ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ ﻣِﻦْ ﻛُﻞِّ ﺷَﻲْﺀٍ ﻗُﺪْﺭَﺓً ﻭَ ﻋِﻠْﻤًﺎ ﺍِﺫْ ﻫُﻮَ ﺍﻟْﺨَﺎﻟِﻖُ ﺍﻟْﺒَﺎﺭِﺉُ ﺍﻟْﻤُﺼَﻮِّﺭُ ﺍﻟَّﺬ۪ﻯ ﺻَﻨَﻊَ ﺍﻻﺎِﻧْﺴَﺎﻥَ ﺑِﻘُﺪْﺭَﺗِﻪِ ﻛَﺎﻟْﻜَﺎﺋِﻨَﺎﺕِ ﻭَ ﻛَﺘَﺐَ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﺑِﻘَﻠَﻢِ ﻗَﺪَﺭِﻩِ ﻛَﻤَﺎ ﻛَﺘَﺐَ ﺍﻻﺎِﻧْﺴَﺎﻥَ ﺑِﺬٰﻟِﻚَ ﺍﻟْﻘَﻠَﻢِ ﺍِﺫْ ﺫَﺍﻙَ ﺍﻟْﻌَﺎﻟَﻢُ ﺍﻟْﻜَﺒ۪ﻴﺮُ ﻛَﻬٰﺬَﺍ ﺍﻟْﻌَﺎﻟَﻢِ ﺍﻟﺼَّﻐ۪ﻴﺮِ ﻣَﺼْﻨُﻮﻉُ ﻗُﺪْﺭَﺗِﻪِ ﻣَﻜْﺘُﻮﺏُ ﻗَﺪَﺭِﻩِ ﺍِﺑْﺪَﺍﻋُﻪُ ﻟِﺬَﺍﻙَ ﺻَﻴَّﺮَﻩُ ﻣَﺴْﺠِﺪًﺍ ﺍِﻳﺠَﺎﺩُﻩُ ﻟِﻬٰﺬَﺍ ﺻَﻴَّﺮَﻩُ ﺳَﺎﺟِﺪًﺍ ﺍِﻧْﺸَﺎﺋُﻪُ ﻟِﺬَﺍﻙَ ﺻَﻴَّﺮَ ﺫَﺍﻙَ ﻣُﻠْﻜًﺎ ﺑِﻨَﺎﺋُﻪُ ﻟِﻬٰﺬَﺍ ﺻَﻴَّﺮَﻩُ ﻣَﻤْﻠُﻮﻛًﺎ ﺻَﻨْﻌَﺘُﻪُ ﻓِﻰ ﺫَﺍﻙَ ﺗَﻈَﺎﻫَﺮَﺕْ ﻛِﺘَﺎﺑًﺎ ﺻِﺒْﻐَﺘُﻪُ ﻓِﻰ ﻫٰﺬَﺍ ﺗَﺰَﺍﻫَﺮَﺕْ ﺧِﻄَﺎﺑًﺎ ﻗُﺪْﺭَﺗُﻪُ ﻓِﻰ ﺫَﺍﻙَ ﺗُﻈْﻬِﺮُ ﺣِﺸْﻤَﺘَﻪُ ﺭَﺣْﻤَﺘُﻪُ ﻓِﻰ ﻫٰﺬَﺍ ﺗَﻨْﻈِﻢُ ﻧِﻌْﻤَﺘَﻪُ ﺣِﺸْﻤَﺘُﻪُ ﻓِﻰ ﺫَﺍﻙَ ﺗَﺸْﻬَﺪُ ﻫُﻮَ ﺍﻟْﻮَﺍﺣِﺪُ ﻧِﻌْﻤَﺘُﻪُ ﻓِﻰ ﻫٰﺬَﺍ ﺗُﻌْﻠِﻦُ ﻫُﻮَ ﺍﻻﺎَﺣَﺪُ ﺳِﻜَّﺘُﻪُ ﻓِﻰ ﺫَﺍﻙَ ﻓِﻰ ﺍﻟْﻜُﻞِّ ﻭَ ﺍﻻﺎَﺟْﺰَﺍﺀِ ﺳُﻜُﻮﻧًﺎ ﺣَﺮَﻛﺔً ﺧَﺎﺗَﻤُﻪُ ﻓِﻰ ﻫٰﺬَﺍ ﻓِﻰ ﺍﻟْﺠِﺴْﻢِ ﻭَ ﺍﻻﺎَﻋْﻀَﺎﺀِ ﺣُﺠَﻴْﺮَﺓً ﺫَﺭَّﺓً ﻓَﺎﻧْﻈُﺮْ ﺍِﻟٰٓﻰ ﺍٰﺛَﺎﺭِﻩِ ﺍﻟْﻤُﺘَّﺴِﻘَﺔِ ﻛَﻴْﻒَ ﺗَﺮٰﻯ ﻛَﺎﻟْﻔَﻠَﻖِ ﺳَﺨَﺎﻭَﺓً ﻣُﻄْﻠَﻘَﺔً ﻣَﻊَ ﺍِﻧْﺘِﻈَﺎﻡٍ ﻣُﻄْﻠَﻖٍ ﻓ۪ﻰ ﺳُﺮْﻋَﺔٍ ﻣُﻄْﻠَﻘَﺔٍ ﻣَﻊَ ﺍِﺗِّﺰَﺍﻥٍ ﻣُﻄْﻠَﻖٍ ﻓ۪ﻰ ﺳُﻬُﻮﻟَﺔٍ ﻣُﻄْﻠَﻘَﺔٍ ﻣَﻊَ ﺍِﺗِّﻘَﺎﻥٍ ﻣُﻄْﻠَﻖٍ ﻓ۪ﻰ ﻭُﺳْﻌَﺔٍ ﻣُﻄْﻠَﻘَﺔٍ ﻣَﻊَ ﺣُﺴْﻦِ ﺻُﻨْﻊٍ ﻣُﻄْﻠَﻖٍ ﻓ۪ﻰ ﺑُﻌْﺪَﺓٍ ﻣُﻄْﻠَﻘَﺔٍ ﻣَﻊَ ﺍِﺗِّﻔَﺎﻕٍ ﻣُﻄْﻠَﻖٍ ﻓ۪ﻰ ﺧِﻠْﻄَﺔٍ ﻣُﻄْﻠَﻘَﺔٍ ﻣَﻊَ ﺍِﻣْﺘِﻴَﺎﺯٍ ﻣُﻄْﻠَﻖٍ ﻓ۪ﻰ ﺭُﺧْﺼَﺔٍ ﻣُﻄْﻠَﻘَﺔٍ ﻣَﻊَ ﻏُﻠُﻮٍّ ﻣُﻄْﻠَﻖٍ ٭ ﻓَﻬٰﺬِﻩِ ﺍﻟْﻜَﻴْﻔِﻴَّﺔُ ﺍﻟْﻤَﺸْﻬُﻮﺩَﺓُ ﺷَﺎﻫِﺪَﺓٌ ﻟِﻠْﻌَﺎﻗِﻞِ ﺍﻟْﻤُﺤَﻘِّﻖِ ﻣُﺠْﺒِﺮَﺓٌ ﻟِـﻻﺎَﺣْﻤَﻖِ ﺍﻟْﻤُﻨَﺎﻓِﻖِ ﻋَﻠٰﻰ ﻗَﺒُﻮﻝِ ﺍﻟﺼَّﻨْﻌَﺔِ ﻭَ ﺍﻟْﻮَﺣْﺪَﺓِ ﻟِﻠْﺤَﻖِّ ﺫِﻯ ﺍﻟْﻘُﺪْﺭَﺓِ ﺍﻟْﻤُﻄْﻠَﻘَﺔِ ﻭَ ﻫُﻮَ ﺍﻟْﻌَﻠ۪ﻴﻢُ ﺍﻟْﻤُﻄْﻠَﻖُ ٭ ﻭَ ﻓِﻰ ﺍﻟْﻮَﺣْﺪَﺓِ ﺳُﻬُﻮﻟَﺔٌ ﻣُﻄْﻠَﻘَﺔٌ ﻭَ ﻓِﻰ ﺍﻟْﻜَﺜْﺮَﺓِ ﻭَ ﺍﻟﺸِّﺮْﻛَﺔِ ﺻُﻌُﻮﺑَﺔٌ ﻣُﻨْﻐَﻠِﻘَﺔٌ ٭ ﺍِﻥْ ﺍُﺳْﻨِﺪَ ﻛُﻞُّ ﺍﻻﺎَﺷْﻴَٓﺎﺀِ ﻟِﻠْﻮَﺍﺣِﺪِ ﻓَﺎﻟْﻜَﺎﺋِﻨَﺎﺕُ ﻛَﺎﻟﻨَّﺨْﻠَﺔِ ﻭَ ﺍﻟﻨَّﺨْﻠَﺔُ ﻛَﺎﻟﺜَّﻤَﺮَﺓِ ﺳُﻬُﻮﻟَﺔً ﻓِﻰ ﺍﻻﺎِﺑْﺘِﺪَﺍﻉِ ٭ ﺍِﻥْ ﺍُﺳْﻨِﺪَ ﻟِﻠْﻜَﺜْﺮَﺓِ ﻓَﺎﻟﻨَّﺨْﻠَﺔُ ﻛَﺎﻟْﻜَﺎﺋِﻨَﺎﺕِ ﻭَ ﺍﻟﺜَّﻤَﺮَﺓُ ﻛَﺎﻟﺸَّﺠَﺮَﺍﺕِ ﺻُﻌُﻮﺑَﺔً ﻓِﻰ ﺍﻻﺎِﻣْﺘِﻨَﺎﻉِ ﺍِﺫِ ﺍﻟْﻮَﺍﺣِﺪُ ﺑِﺎﻟْﻔِﻌْﻞِ ﺍﻟْﻮَﺍﺣِﺪِ ﻳُﺤَﺼِّﻞُ ﻧَﺘ۪ﻴﺠَﺔً ﻭَ ﻭَﺿْﻌِﻴَّﺔً ﻟِﻠْﻜَﺜ۪ﻴﺮِ ﺑِﻼﺎ ﻛُﻠْﻔَﺔٍ ﻭَ ﻻﺎ ﻣُﺒَﺎﺷَﺮَﺓٍ ٭ ﻟَﻮْ ﺍُﺣ۪ﻴﻠَﺖْ ﺗِﻠْﻚَ ﺍﻟْﻮَﺿْﻌِﻴَّﺔُ ﻭَ ﺍﻟﻨَّﺘ۪ﻴﺠَﺔُ ﺍِﻟَﻰ ﺍﻟْﻜَﺜْﺮَﺓِ ﻻﺎ ﻳُﻤْﻜِﻦُ ﺍَﻥْ ﺗَﺼِﻞَ ﺍِﻟَﻴْﻬَﺎ ﺍِﻻَﺎ ﺑِﺘَﻜَﻠُّﻔَﺎﺕٍ ﻭَ ﻣُﺒَﺎﺷَﺮَﺍﺕٍ ﻭَ ﻣُﺸَﺎﺟَﺮَﺍﺕٍ ٭ ﻛَﺎﻻﺎَﻣ۪ﻴﺮِ ﻣَﻊَ ﺍﻟﻨَّﻔَﺮَﺍﺕِ ﻭَ ﺍﻟْﺒَﺎﻧِﻰ ﻣَﻊَ ﺍﻟْﺤَﺠَﺮَﺍﺕِ ﻭَ ﺍﻻﺎَﺭْﺽِ ﻣَﻊَ ﺍﻟﻨُّﺠُﻮﻡِ ﻭَ ﺍﻟﺴَّﻴَّﺎﺭَﺍﺕِ ﻭَ ﺍﻟْﻔَﻮَّﺍﺭَﺓِ ﻣَﻊَ ﺍﻟْﻘَﻄَﺮَﺍﺕِ ﻭَ ﻧُﻘْﻄَﺔِ ﺍﻟْﻤَﺮْﻛَﺰِ ﻣَﻊَ ﺍﻟﻨُّﻘَﻂِ ﻓِﻰ ﺍﻟﺪَّﺍﺋِﺮَﺓِ ﺑِﺴِﺮِّ ﺍَﻥَّ ﻓِﻰ ﺍﻟْﻮَﺣْﺪَﺓِ ﻳَﻘُﻮﻡُ ﺍﻻﺎِﻧْﺘِﺴَﺎﺏُ ﻣَﻘَﺎﻡَ ﻗُﺪْﺭَﺓٍ ﻏَﻴْﺮَ ﻣَﺤْﺪُﻭﺩَﺓٍ ٭ ﻭَ ﻻﺎﻳَﻀْﻄَﺮُّ ﺍﻟﺴَّﺒَﺐُ ﻟِﺤَﻤْﻞِ ﻣَﻨَﺎﺑِﻊِ ﻗُﻮَّﺗِﻪِ ﻭَ ﻳَﺘَﻌَﺎﻇَﻢُ ﺍﻻﺎَﺛَﺮُ ﺑِﺎﻟﻨِّﺴْﺒَﺔِ ﺍِﻟَﻰ ﺍﻟْﻤُﺴْﻨَﺪِ ﺍِﻟَﻴْﻪِ ٭ ﻭَ ﻓِﻰ ﺍﻟﺸِّﺮْﻛَﺔِ ﻳَﻀْﻄَﺮُّ ﻛُﻞُّ ﺳَﺒَﺐٍ ﻟِﺤَﻤْﻞِ ﻣَﻨَﺎﺑِﻊِ ﻗُﻮَّﺗِﻪِ ﻓَﻴَﺘَﺼَﺎﻏَﺮُ ﺍﻻﺎَﺛَﺮُ ﺑِﻨِﺴْﺒَﺔِ ﺟِﺮْﻣِﻪِ ﻭَ ﻣِﻦْ ﻫُﻨَﺎ ﻏَﻠَﺒَﺖِ ﺍﻟﻨَّﻤْﻠَﺔُ ﻭَ ﺍﻟﺬُّﺑَﺎﺑَﺔُ ﻋَﻠَﻰ ﺍﻟْﺠَﺒَﺎﺑِﺮَﺓِ ﻭَ ﺣَﻤَﻠَﺖِ ﺍﻟﻨُّﻮَﺍﺓُ ﺍﻟﺼَّﻐ۪ﻴﺮَﺓُ ﺷَﺠَﺮَﺓً ﻋَﻈ۪ﻴﻤَﺔً ﻭَ ﺑِﺴِﺮِّ ﺍَﻥَّ ﻓِﻰ ﺍِﺳْﻨَﺎﺩِ ﻛُﻞِّ ﺍﻻﺎَﺷْﻴَٓﺎﺀِ ﺍِﻟَﻰ ﺍﻟْﻮَﺍﺣِﺪِ ﻻﺎ ﻳَﻜُﻮﻥُ ﺍﻻﺎِﻳﺠَﺎﺩُ ﻣِﻦَ ﺍﻟْﻌَﺪَﻡِ ﺍﻟْﻤُﻄْﻠَﻖِ ﺑَﻞْ ﻳَﻜُﻮﻥُ ﺍﻻﺎِﻳﺠَﺎﺩُ ﻋَﻴْﻦَ ﻧَﻘْﻞِ ﺍﻟْﻤَﻮْﺟُﻮﺩِ ﺍﻟْﻌِﻠْﻤِﻰِّ ﺍِﻟَﻰ ﺍﻟْﻮُﺟُﻮﺩِ ﺍﻟْﺨَﺎﺭِﺟِﻰِّ ﻛَﻨَﻘْﻞِ ﺍﻟﺼُّﻮﺭَﺓِ ﺍﻟْﻤُﺘَﻤَﺜِّﻠَﺔِ ﻓِﻰ ﺍﻟْﻤِﺮْﺍٰﺓِ ﺍِﻟَﻰ ﺍﻟﺼَّﺤِﻴﻔَﺔِ ﺍﻟْﻔُﻄُﻮﻏْﺮَﻓِﻴَّﺔِ ﻟِﺘَﺜْﺒِﻴﺖِ ﻭُﺟُﻮﺩٍ ﺧَﺎﺭِﺟِﻰٍّ ﻟَﻬَﺎ ﺑِﻜَﻤَﺎﻝِ ﺍﻟﺴُّﻬُﻮﻟَﺔِ ﺍَﻭْ ﺍِﻇْﻬَﺎﺭِ ﺍﻟْﺨَﻂِّ ﺍﻟْﻤَﻜْﺘُﻮﺏِ ﺑِﻤِﺪَﺍﺩٍ ﻻﺎ ﻳُﺮٰﻯ ﺑِﻮَﺍﺳِﻄَﺔِ ﻣَﺎﺩَّﺓٍ ﻣُﻈْﻬِﺮَﺓٍ ﻟِﻠْﻜِﺘَﺎﺑَﺔِ ﺍﻟْﻤَﺴْﺘُﻮﺭَﺓِ ﻭَ ﻓِﻰ ﺍِﺳْﻨَﺎﺩِ ﺍﻻﺎَﺷْﻴَٓﺎﺀِ ﺍِﻟَﻰ ﺍﻻﺎَﺳْﺒَﺎﺏِ ﻭَ ﺍﻟْﻜَﺜْﺮَﺓِ ﻳَﻠْﺰَﻡُ ﺍﻻﺎِﻳﺠَﺎﺩُ ﻣِﻦَ ﺍﻟْﻌَﺪَﻡِ ﺍﻟْﻤُﻄْﻠَﻖِ ﻭَ ﻫُﻮَ ﺍِﻥْ ﻟَﻢْ ﻳَﻜُﻦْ ﻣُﺤَﺎﻻﺎ ﻳَﻜُﻮﻥُ ﺍَﺻْﻌَﺐَ ﺍﻻﺎَﺷْﻴَٓﺎﺀِ ٭ ﻓَﺎﻟﺴُّﻬُﻮﻟَﺔُ ﻓِﻰ ﺍﻟْﻮَﺣْﺪَﺓِ ﻭَﺍﺻِﻠَﺔٌ ﺍِﻟٰﻰ ﺩَﺭَﺟَﺔِ ﺍﻟْﻮُﺟُﻮﺏِ ٭ ﻭَ ﺍﻟﺼُّﻌُﻮﺑَﺔُ ﻓِﻰ ﺍﻟْﻜَﺜْﺮَﺓِ ﻭَﺍﺻِﻠَﺔٌ ﺍِﻟٰﻰ ﺩَﺭَﺟَﺔِ ﺍﻻﺎِﻣْﺘِﻨَﺎﻉِ ٭ ﻭَ ﺑِﺤِﻜْﻤَﺔِ ﺍَﻥَّ ﻓِﻰ ﺍﻟْﻮَﺣْﺪَﺓِ ﻳُﻤْﻜِﻦُ ﺍﻻﺎِﺑْﺪَﺍﻉُ ﻭَ ﺍِﻳﺠَﺎﺩُ ﺍﻻﺎَﻳْﺲِ ﻣِﻦَ ﺍﻟﻠَّﻴْﺲِ {() : ﺍَﻻﺎَﻳْﺲُ Mevcud demektir. ﺍَﻟﻠَّﻴْﺲُ Adem-i sırf demektir.} ﻳَﻌْﻨِﻰ ﺍِﺑْﺪَﺍﻉُ ﺍﻟْﻤَﻮْﺟُﻮﺩِ ﻣِﻦَ ﺍﻟْﻌَﺪَﻡِ ﺍﻟﺼِّﺮْﻑِ ﺑِﻼﺎ ﻣُﺪَّﺓٍ ﻭَ ﻻﺎ ﻣَﺎﺩَّﺓٍ ﻭَ ﺍِﻓْﺮَﺍﻍُ ﺍﻟﺬَّﺭَّﺍﺕِ ﻓِﻰ ﺍﻟْﻘَﺎﻟَﺐِ ﺍﻟْﻌِﻠْﻤِﻰِّ ﺑِﻼﺎ ﻛُﻠْﻔَﺔٍ ﻭَ ﻻﺎ ﺧِﻠْﻄَﺔٍ ﻭَ ﻓِﻰ ﺍﻟﺸِّﺮْﻛَﺔِ ﻭَ ﺍﻟْﻜَﺜْﺮَﺓِ ﻻﺎ ﻳُﻤْﻜِﻦُ ﺍﻻﺎِﺑْﺪَﺍﻉُ ﻣِﻦَ ﺍﻟْﻌَﺪَﻡِ ﺑِﺎِﺗِّﻔَﺎﻕِ ﻛُﻞِّ ﺍَﻫْﻞِ ﺍﻟْﻌَﻘْﻞِ ﻓَﻼﺎ ﺑُﺪَّ ﻟِﻮُﺟُﻮﺩِ ﺫِﻯ ﺣَﻴَﺎﺓٍ ﺟَﻤْﻊُ ﺫَﺭَّﺍﺕٍ ﻣُﻨْﺘَﺸِﺮَﺓٍ ﻓِﻰ ﺍﻻﺎَﺭْﺽِ ﻭَ ﺍﻟْﻌَﻨَﺎﺻِﺮِ ﻭَ ﺑِﻌَﺪَﻡِ ﺍﻟْﻘَﺎﻟَﺐِ ﺍﻟْﻌِﻠْﻤِﻰِّ ﻳَﻠْﺰَﻡُ ﻟِﻤُﺤَﺎﻓَﻈَﺔِ ﺍﻟﺬَّﺭَّﺍﺕِ ﻓِﻰ ﺟِﺴْﻢِ ﺫِﻯ ﺍﻟْﺤَﻴَﺎﺓِ ﻭُﺟُﻮﺩُ ﻋِﻠْﻢٍ ﻛُﻠِّﻰٍّ ﻭَ ﺍِﺭَﺍﺩَﺓٍ ﻣُﻄْﻠَﻘَﺔٍ ﻓِﻰ ﻛُﻞِّ ﺫَﺭَّﺓٍ ٭ ﻭَ ﻣَﻊَ ﺫٰﻟِﻚَ ﺍَﻥَّ ﺍﻟﺸُّﺮَﻛَٓﺎﺀَ ﻣُﺴْﺘَﻐْﻨِﻴَﺔٌ ﻋَﻨْﻬَﺎ ﻭَ ﻣُﻤْﺘَﻨِﻌَﺔٌ ﺑِﺎﻟﺬَّﺍﺕِ ﺑِﺨَﻤْﺴَﺔِ ﻭُﺟُﻮﻩٍ ﻣُﺘَﺪَﺍﺧِﻠَﺔٍ ٭ ﻭَ ﺍﻟﺸُّﺮَﻛَٓﺎﺀُ ﺍﻟْﻤُﺴْﺘَﻐْﻨِﻴَﺔُ ﻋَﻨْﻬَﺎ ﻭَ ﺍﻟْﻤُﻤْﺘَﻨِﻌَﺔُ ﺑِﺎﻟﺬَّﺍﺕِ ﺗَﺤَﻜُّﻤِﻴَّﺔٌ ﻣَﺤْﻀَﺔٌ ﻻﺎ ﺍَﻣَﺎﺭَﺓَ ﻋَﻠَﻴْﻬَﺎ ﻭَ ﻻﺎ ﺍِﺷَﺎﺭَﺓَ ﺍِﻟَﻴْﻬَﺎ ﻓِﻰ ﺷَﻲْﺀٍ ﻣِﻦَ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﺍِﺫْ ﺧِﻠْﻘَﺔُ ﺍﻟﺴَّﻤٰﻮَﺍﺕِ ﻭَ ﺍﻻﺎَﺭْﺽِ ﺗَﺴْﺘَﻠْﺰِﻡُ ﻗُﺪْﺭَﺓً ﻛَﺎﻣِﻠَﺔً ﻏَﻴْﺮَ ﻣُﺘَﻨَﺎﻫِﻴَﺔٍ ﺑِﺎﻟﻀَّﺮُﻭﺭَﺓِ ﻓَﺎﺳْﺘُﻐْﻨِﻰَ ﻋَﻦِ ﺍﻟﺸُّﺮَﻛَٓﺎﺀِ ﻭَ ﺍِﻻَﺎ ﻟَﺰِﻡَ ﺗَﺤْﺪِﻳﺪُ ﻭَ ﺍﻧْﺘِﻬَٓﺎﺀُ ﻗُﺪْﺭَﺓٍ ﻛَﺎﻣِﻠَﺔٍ ﻏَﻴْﺮِ ﻣُﺘَﻨَﺎﻫِﻴَﺔٍ ﻓِﻰ ﻭَﻗْﺖِ ﻋَﺪَﻡِ ﺍﻟﺘَّﻨَﺎﻫِﻰ ﺑِﻘُﻮَّﺓٍ ﻣُﺘَﻨَﺎﻫِﻴَﺔٍ ﺑِﻼﺎ ﺿَﺮُﻭﺭَﺓٍ ﻣَﻊَ ﺍﻟﻀَّﺮُﻭﺭَﺓِ ﻓِﻰ ﻋَﻜْﺴِﻪِ ﻭَ ﻫُﻮَ ﻣُﺤَﺎﻝٌ ﻓِﻰ ﺧَﻤْﺴَﺔِ ﺍَﻭْﺟُﻪٍ ﻓَﺎﻣْﺘَﻨَﻌَﺖِ ﺍﻟﺸُّﺮَﻛَٓﺎﺀُ ﻣَﻊَ ﺍَﻥَّ ﺍﻟﺸُّﺮَﻛَٓﺎﺀَ ﺍﻟْﻤُﻤْﺘَﻨِﻌَﺔَ ﺑِﺘِﻠْﻚَ ﺍﻟْﻮُﺟُﻮﻩِ ﻻٓﺎ ﺍِﺷَﺎﺭَﺓَ ﺍِﻟٰﻰ ﻭُﺟُﻮﺩِﻫَﺎ ﻭَ ﻻٓﺎ ﺍَﻣَﺎﺭَﺓَ ﻋَﻠٰﻰ ﺗَﺤَﻘُّﻘِﻬَﺎ ﻓِﻰ ﺷَﻲْﺀٍ ﻣِﻦَ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﻓَﻘَﺪِ ﺍﺳْﺘَﻔْﺴَﺮْﻧَﺎ ﻫٰﺬِﻩِ ﺍﻟْﻤَﺴْﺌَﻠَﺔَ ﴾ﻓِﻰ ﺍﻟْﻤَﻮْﻗِﻒِ ﺍﻻﺎَﻭَّﻝِ﴿ ﻣِﻦَ ﺍﻟﺮِّﺳَﺎﻟَﺔِ ﺍﻟﺜَّﺎﻧِﻴَﺔِ ﻭَ ﺍﻟﺜَّﻼﺎﺛِﻴﻦَ ﻣِﻦَ ﺍﻟﺬَّﺭَّﺍﺕِ ﺍِﻟَﻰ ﺍﻟﺴَّﻴَّﺎﺭَﺍﺕِ﴾ﻭَ ﻓِﻰ ﺍﻟْﻤَﻮْﻗِﻒِ ﺍﻟﺜَّﺎﻧِﻰ﴿ ﻣِﻦَ ﺍﻟﺴَّﻤٰﻮَﺍﺕِ ﺍِﻟَﻰ ﺍﻟﺘَّﺸَﺨُّﺼَﺎﺕِ ﺍﻟْﻮَﺟْﻬِﻴَّﺔِ ﻓَﺎَﻋْﻄَﺖْ ﺟَﻤ۪ﻴﻌُﻬَﺎ ﺟَﻮَﺍﺏَ ﺭَﺩِّ ﺍﻟﺸِّﺮْﻙِ ﺑِﺎِﺭَﺍﺋَﺔِ ﺳِﻜَّﺔِ ﺍﻟﺘَّﻮْﺣ۪ﻴﺪِ ﻓَﻜَﻤَﺎ ﻻﺎ ﺷُﺮَﻛَٓﺎﺀَ ﻟَﻪُ ﻛَﺬٰﻟِﻚَ ﻻﺎ ﻣُﻌِﻴﻦَ ﻭَﻻﺎ ﻭُﺯَﺭَٓﺍﺀَ ﻟَﻪُ ﻭَ ﻣَﺎ ﺍﻻﺎَﺳْﺒَﺎﺏُ ﺍِﻻَﺎ ﺣِﺠَﺎﺏٌ ﺭَﻗِﻴﻖٌ ﻋَﻠٰﻰ ﺗَﺼَﺮُّﻑِ ﺍﻟْﻘُﺪْﺭَﺓِ ﺍﻻﺎَﺯَﻟِﻴَّﺔِ ﻟَﻴْﺲَ ﻟَﻬَﺎ ﺗَﺎْﺛ۪ﻴﺮٌ ﺍِﻳﺠَﺎﺩِﻯٌّ ﻓ۪ﻰ ﻧَﻔْﺲِ ﺍﻻﺎَﻣْﺮِ ٭ ﺍِﺫْ ﺍَﺷْﺮَﻑُ ﺍﻻﺎَﺳْﺒَﺎﺏِ ﻭَ ﺍَﻭْﺳَﻌُﻬَﺎ ﺍِﺧْﺘِﻴَﺎﺭًﺍ ﻫُﻮَ ﺍﻻﺎِﻧْﺴَﺎﻥُ ﻣَﻊَ ﺍَﻧَّﻪُ ﻟَﻴْﺲَ ﻓِﻰ ﻳَﺪِﻩِ ﻣِﻦْ ﺍَﻇْﻬَﺮِ ﺍَﻓْﻌَﺎﻟِﻪِ ﺍﻻﺎِﺧْﺘِﻴَﺎﺭِﻳَّﺔِ ﻛَﺎﻻﺎَﻛْﻞِ ﻭَ ﺍﻟْﻜَﻼﺎﻡِ ﻭَ ﺍﻟْﻔِﻜْﺮِ ﻣِﻦْ ﻣِﺎٰﺕِ ﺍَﺟْﺰَٓﺍﺀٍ ﺍِﻻَﺎ ﺟُﺰْﺀٌ ﻭَﺍﺣِﺪٌ ﻣَﺸْﻜُﻮﻙٌ ﻓَﺎِﺫَﺍ ﻛَﺎﻥَ ﺍﻟﺴَّﺒَﺐُ ﺍﻻﺎَﺷْﺮَﻑُ ﻭَ ﺍﻻﺎَﻭْﺳَﻊُ ﺍِﺧْﺘِﻴَﺎﺭًﺍ ﻣَﻐْﻠُﻮﻝَ ﺍﻻﺎَﻳْﺪ۪ﻯ ﻋَﻦِ ﺍﻟﺘَّﺼَﺮُّﻑِ ﺍﻟْﺤَﻘ۪ﻴﻘِﻰِّ ﻛَﻤَﺎ ﺗَﺮٰﻯ ﻓَﻜَﻴْﻒَ ﻳُﻤْﻜِﻦُ ﺍَﻥْ ﺗَﻜُﻮﻥَ ﺍﻟْﺒَﻬِﻴﻤَﺎﺕُ ﻭَ ﺍﻟْﺠَﻤَﺎﺩَﺍﺕُ ﺷَﺮِﻳﻜًﺎ ﻓِﻰ ﺍﻻﺎِﻳﺠَﺎﺩِ ﻭَ ﺍﻟﺮُّﺑُﻮﺑِﻴَّﺔِ ﻟِﺨَﺎﻟِﻖِ ﺍﻻﺎَﺭْﺽِ ﻭَ ﺍﻟﺴَّﻤٰﻮَﺍﺕِ ﻓَﻜَﻤَﺎ ﻻﺎ ﻳُﻤْﻜِﻦُ ﺍَﻥْ ﻳَﻜُﻮﻥَ ﺍﻟﻈَّﺮْﻑُ ﺍﻟَّﺬِﻯ ﻭَﺿَﻊَ ﺍﻟﺴُّﻠْﻄَﺎﻥُ ﻓِﻴﻪِ ﺍﻟْﻬَﺪِﻳَّﺔَ ﺍَﻭِ ﺍﻟْﻤَﻨْﺪِﻳﻞُ ﺍﻟَّﺬِﻯ ﻟَﻒَّ ﻓِﻴﻪِ ﺍﻟْﻌَﻄِﻴَّﺔَ ﺍَﻭِ ﺍﻟﻨَّﻔَﺮُ ﺍﻟَّﺬِﻯ ﺍَﺭْﺳَﻞَ ﻋَﻠٰﻰ ﻳَﺪِﻩِ ﺍﻟﻨِّﻌْﻤَﺔَ ﺍِﻟَﻴْﻚَ ﺷُﺮَﻛَﺎﺀَ ﻟﻠِﺴُّﻠْﻄَﺎﻥِ ﻓِﻰ ﺳَﻠْﻄَﻨَﺘِﻪِ ﻛَﺬٰﻟِﻚَ ﻻﺎ ﻳُﻤْﻜِﻦُ ﺍَﻥْ ﻳَﻜُﻮﻥَ ﺍﻻﺎَﺳْﺒَﺎﺏُ ﺍﻟْﻤُﺮْﺳَﻠَﺔُ ﻋَﻠٰﻰ ﺍَﻳْﺪِﻳﻬِﻢُ ﺍﻟﻨِّﻌَﻢُ ﺍِﻟَﻴْﻨَﺎ ﻭَ ﺍﻟﻈُّﺮُﻭﻑُ ﺍﻟَّﺘِﻰ ﻫِﻰَ ﺻَﻨَﺎﺩِﻳﻖُ ﻟﻠِﻨِّﻌَﻢِ ﺍﻟْﻤُﺪَّﺧَﺮَﺓِ ﻟَﻨَﺎ ﻭَ ﺍﻻﺎَﺳْﺒَﺎﺏُ ﺍﻟَّﺘِﻰ ﺍِﻟْﺘَﻔَّﺖْ ﻋَﻠٰﻰ ﻋَﻄَﺎﻳَﺎ ﺍِﻟٰﻬِﻴَّﺔٍ ﻣُﻬْﺪَﺍﺕٌ ﺍِﻟَﻴْﻨَﺎ ﺷُﺮَﻛَﺎﺀَ ﺍَﻋْﻮَﺍﻧًﺎ ﺍَﻭْ ﻭَﺳَﺎﺋِﻂَ ﻣَُﺜِّﺮَﺓً ﺍَﻟْﻤَﺮْﺗَﺒَﺔُ ﺍﻟﺜَّﺎﻧِﻴَﺔُ ﺟَﻞَّ ﺟَﻼﺎﻟُﻪُ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ ﻣِﻦْ ﻛُﻞِّ ﺷَﻲْﺀٍ ﻗُﺪْﺭَﺓً ﻭَ ﻋِﻠْﻤًﺎ ﺍِﺫْ ﻫُﻮَ ﺍﻟْﺨَﻼَﺎﻕُ ﺍﻟْﻌَﻠِﻴﻢُ ﺍﻟﺼَّﺎﻧِﻊُ ﺍﻟْﺤَﻜِﻴﻢُ ﺍﻟﺮَّﺣْﻤٰﻦُ ﺍﻟﺮَّﺣِﻴﻢُ ﺍﻟَّﺬِﻯ ﻫٰﺬِﻩِ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕُ ﺍﻻﺎَﺭْﺿِﻴَّﺔُ ﻭَ ﺍﻻﺎَﺟْﺮَﺍﻡُ ﺍﻟْﻌُﻠْﻮِﻳَّﺔُ ﻓِﻰ ﺑُﺴْﺘَﺎﻥِ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﻣُﻌْﺠِﺰَﺍﺕُ ﻗُﺪْﺭَﺓِ ﺧَﻼَﺎﻕٍ ﻋَﻠِﻴﻢٍ ﺑِﺎﻟْﺒَﺪَﺍﻫَﺔِ ٭ ﻭَ ﻫٰﺬِﻩِ ﺍﻟﻨَّﺒَﺎﺗَﺎﺕُ ﺍﻟْﻤُﺘَﻠَﻮِّﻧَﺔُ ﺍﻟْﻤُﺘَﺰَﻳِّﻨَﺔُ ﺍﻟْﻤَﻨْﺜُﻮﺭَﺓُ ﻭَ ﻫٰﺬِﻩِ ﺍﻟْﺤَﻴْﻮَﺍﻧَﺎﺕُ ﺍﻟْﻤُﺘَﻨَﻮِّﻋَﺔُ ﺍﻟْﻤُﺘَﺒَﺮِّﺟَﺔُ ﺍﻟْﻤَﻨْﺸُﻮﺭَﺓُ ﻓِﻰ ﺣَﺪِﻳﻘَﺔِ ﺍﻻﺎَﺭْﺽِ ﺧَﻮَﺍﺭِﻕُ ﺻَﻨْﻌَﺔِ ﺻَﺎﻧِﻊٍ ﺣَﻜِﻴﻢٍ ﺑِﺎﻟﻀَّﺮُﻭﺭَﺓِ ﻭَ ﻫٰﺬِﻩِ ﺍﻻﺎَﺯْﻫَﺎﺭُ ﺍﻟْﻤُﺘَﺒَﺴِّﻤَﺔُ ﻭَ ﺍﻻﺎَﺛْﻤَﺎﺭُ ﺍﻟْﻤُﺘَﺰَﻳِّﻨَﺔُ ﻓِﻰ ﺟِﻨَﺎﻥِ ﻫٰﺬِﻩِ ﺍﻟْﺤَﺪِﻳﻘَﺔِ ﻫَﺪَﺍﻳَﺎﺀُ ﺭَﺣْﻤَﺔِ ﺭَﺣْﻤٰﻦٍ ﺭَﺣِﻴﻢٍ ﺑِﺎﻟْﻤُﺸَﺎﻫَﺪَﺓِ ﺗَﺸْﻬَﺪُ ﻫَﺎﺗِﻴﻚَ ﻭَ ﺗُﻨَﺎﺩِﻯ ﺗَﺎﻙَ ﻭَ ﺗُﻌْﻠِﻦُ ﻫٰﺬِﻩِ ﺑِﺎَﻥَّ ﺧَﻼَﺎﻕَ ﻫَﺎﺗِﻴﻚَ ﻭَ ﻣُﺼَﻮِّﺭَ ﺗَﺎﻙَ ﻭَ ﻭَﺍﻫِﺐَ ﻫٰﺬِﻩِ ﻋَﻠٰﻰ ﻛُﻞِّ ﺷَﻲْﺀٍ ﻗَﺪِﻳﺮٌ ﻭَ ﺑِﻜُﻞِّ ﺷَﻲْﺀٍ ﻋَﻠِﻴﻢٌ ﻗَﺪْ ﻭَﺳِﻊَ ﻛُﻞَّ ﺷَﻲْﺀٍ ﺭَﺣْﻤَﺔً ﻭَ ﻋِﻠْﻤًﺎ ﺗَﺘَﺴَﺎﻭٰﻯ ﺑِﺎﻟﻨِّﺴْﺒَﺔِ ﺍِﻟٰﻰ ﻗُﺪْﺭَﺗِﻪِ ﺍﻟﺬَّﺭَّﺍﺕُ ﻭَ ﺍﻟﻨُّﺠُﻮﻡُ ﻭَ ﺍﻟْﻘَﻠِﻴﻞُ ﻭَ ﺍﻟْﻜَﺜِﻴﺮُ ﻭَ ﺍﻟﺼَّﻐِﻴﺮُ ﻭَ ﺍﻟْﻜَﺒِﻴﺮُ ﻭَ ﺍﻟْﻤُﺘَﻨَﺎﻫِﻰ ﻭَ ﻏَﻴْﺮُ ﺍﻟْﻤُﺘَﻨَﺎﻫِﻰ ﻭَ ﻛُﻞُّ ﺍﻟْﻮُﻗُﻮﻋَﺎﺕِ ﺍﻟْﻤَﺎﺿِﻴَّﺔِ ﻭَ ﻏَﺮَﺍﺋِﺒِﻬَﺎ ﻣُﻌْﺠِﺰَﺍﺕُ ﺻَﻨْﻌَﺔِ ﺻَﺎﻧِﻊٍ ﺣَﻜِﻴﻢٍ ﺗَﺸْﻬَﺪُ ﻋَﻠٰﻰ ﺍَﻥَّ ﺫٰﻟِﻚَ ﺍﻟﺼَّﺎﻧِﻊَ ﻗَﺪِﻳﺮٌ ﻋَﻠٰﻰ ﻛُﻞِّ ﺍﻻﺎِﻣْﻜَﺎﻧَﺎﺕِ ﺍﻻﺎِﺳْﺘِﻘْﺒَﺎﻟِﻴَّﺔِ ﻭَ ﻋَﺠَﺎﺋِﺒِﻬَﺎ ﺍِﺫْ ﻫُﻮَ ﺍﻟْﺨَﻼَﺎﻕُ ﺍﻟْﻌَﻠِﻴﻢُ ﻭَ ﺍﻟْﻌَﺰِﻳﺰُ ﺍﻟْﺤَﻜِﻴﻢُ ﻓَﺴُﺒْﺤَﺎﻥَ ﻣَﻦْ ﺟَﻌَﻞَ ﺣَﺪِﻳﻘَﺔَ ﺍَﺭْﺿِﻪِ ﻣَﺸْﻬَﺮَ ﺻَﻨْﻌَﺘِﻪِ ﻣَﺤْﺸَﺮَ ﻓِﻄْﺮَﺗِﻪِ ﻣَﻈْﻬَﺮَ ﻗُﺪْﺭَﺗِﻪِ ﻣَﺪَﺍﺭَ ﺣِﻜْﻤَﺘِﻪِ ﻣَﺰْﻫَﺮَ ﺭَﺣْﻤَﺘِﻪِ ﻣَﺰْﺭَﻉَ ﺟَﻨَّﺘِﻪِ ﻣَﻤَﺮَّ ﺍﻟْﻤَﺨْﻠُﻮﻗَﺎﺕِ ﻣَﺴِﻴﻞَ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﻣَﻜِﻴﻞَ ﺍﻟْﻤَﺼْﻨُﻮﻋَﺎﺕِ ﻓَﻤُﺰَﻳَّﻦُ ﺍﻟْﺤَﻴْﻮَﺍﻧَﺎﺕِ ﻣُﻨَﻘَّﺶُ ﺍﻟﻄُّﻴُﻮﺭَﺍﺕِ ﻣُﺜَﻤَّﺮُ ﺍﻟﺸَّﺠَﺮَﺍﺕِ ﻣُﺰَﻫَّﺮُ ﺍﻟﻨَّﺒَﺎﺗَﺎﺕِ ﻣُﻌْﺠِﺰَﺍﺕُ ﻋِﻠْﻤِﻪِ ﺧَﻮَﺍﺭِﻕُ ﺻُﻨْﻌِﻪِ ﻫَﺪَﺍﻳَﺎﺀُ ﺟُﻮﺩِﻩِ ﺑَﺮَﺍﻫِﻴﻦُ ﻟُﻄْﻔِﻪِ ﺗَﺒَﺴُّﻢُ ﺍﻻﺎَﺯْﻫَﺎﺭِ ﻣِﻦْ ﺯِﻳﻨَﺔِ ﺍﻻﺎَﺛْﻤَﺎﺭِ ﺗَﺴَﺠُّﻊُ ﺍﻻﺎَﻃْﻴَﺎﺭِ ﻓِﻰ ﻧَﺴْﻤَﺔِ ﺍﻻﺎَﺳْﺤَﺎﺭِ ﺗَﻬَﺰُّﺝُ ﺍﻻﺎَﻣْﻄَﺎﺭِ ﻋَﻠٰﻰ ﺧُﺪُﻭﺩِ ﺍﻻﺎَﺯْﻫَﺎﺭِ ﺗَﺮَﺣُّﻢُ ﺍﻟْﻮَﺍﻟِﺪَﺍﺕِ ﻋَﻠَﻰ ﺍﻻﺎَﻃْﻔَﺎﻝِ ﺍﻟﺼِّﻐَﺎﺭِ ﺗَﻌَﺮُّﻑُ ﻭَﺩُﻭﺩٍ ﺗَﻮَﺩُّﺩُ ﺭَﺣْﻤَﺎﻥٍ ﺗَﺮَﺣُّﻢُ ﺣَﻨَّﺎﻥٍ ﺗَﺤَﻨُّﻦُ ﻣَﻨَّﺎﻥٍ ﻟِﻠْﺠِﻦِّ ﻭَ ﺍﻻﺎِﻧْﺴَﺎﻥِ ﻭَ ﺍﻟﺮُّﻭﺡِ ﻭَ ﺍﻟْﺤَﻴْﻮَﺍﻥِ ﻭَ ﺍﻟْﻤَﻠَﻚِ ﻭَ ﺍﻟْﺠَﺎﻥِّ ﻭَ ﺍﻟْﺒُﺬُﻭﺭُ ﻭَ ﺍﻻﺎَﺛْﻤَﺎﺭُ ﻭَ ﺍﻟْﺤُﺒُﻮﺏُ ﻭَ ﺍﻻﺎَﺯْﻫَﺎﺭُ ﻣُﻌْﺠِﺰَﺍﺕُ ﺍﻟْﺤِﻜْﻤَﺔِ ﺧَﻮَﺍﺭِﻕُ ﺍﻟﺼَّﻨْﻌَﺔِ ﻫَﺪَﺍﻳَﺎﺀُ ﺍﻟﺮَّﺣْﻤَﺔِ ﺑَﺮَﺍﻫِﻴﻦُ ﺍﻟْﻮَﺣْﺪَﺓِ ﺷَﻮَﺍﻫِﺪُ ﻟُﻄْﻔِﻪِ ﻓِﻰ ﺩَﺍﺭِ ﺍﻻﺎٰﺧِﺮَﺓِ ﺷَﻮَﺍﻫِﺪُ ﺻَﺎﺩِﻗَﺔٌ ﺑِﺎَﻥَّ ﺧَﻼَﺎﻗَﻬَﺎ ﻋَﻠٰﻰ ﻛُﻞِّ ﺷَﻲْﺀٍ ﻗَﺪِﻳﺮٌ ﻭَ ﺑِﻜُﻞِّ ﺷَﻲْﺀٍ ﻋَﻠِﻴﻢٌ ﻗَﺪْ ﻭَﺳِﻊَ ﻛُﻞَّ ﺷَﻲْﺀٍ ﺑِﺎﻟﺮَّﺣْﻤَﺔِ ﻭَ ﺍﻟْﻌِﻠْﻢِ ﻭَ ﺍﻟْﺨَﻠْﻖِ ﻭَ ﺍﻟﺘَّﺪْﺑِﻴﺮِ ﻭَ ﺍﻟﺼُّﻨْﻊِ ﻭَ ﺍﻟﺘَّﺼْﻮِﻳﺮِ ٭ ﻓَﺎﻟﺸَّﻤْﺲُ ﻛَﺎﻟْﺒُﺬْﺭَﺓِ ﻭَ ﺍﻟﻨَّﺠْﻢُ ﻛَﺎﻟﺰُّﻫْﺮَﺓِ ﻭَ ﺍﻻﺎَﺭْﺽُ ﻛَﺎﻟْﺤَﺒَّﺔِ ﻻﺎ ﺗَﺜْﻘُﻞُ ﻋَﻠَﻴْﻪِ ﺑِﺎﻟْﺨَﻠْﻖِ ﻭَ ﺍﻟﺘَّﺪْﺑِﻴﺮِ ﻭَ ﺍﻟﺼُّﻨْﻊِ ﻭَ ﺍﻟﺘَّﺼْﻮِﻳﺮِ ٭ ﻓَﺎﻟْﺒُﺬُﻭﺭُ ﻭَ ﺍﻻﺎَﺛْﻤَﺎﺭُ ﻣَﺮَﺍﻳَﺎﺀُ ﺍﻟْﻮَﺣْﺪَﺓِ ﻓِﻰ ﺍَﻗْﻄَﺎﺭِ ﺍﻟْﻜَﺜْﺮَﺓِ ﺍِﺷَﺎﺭَﺍﺕُ ﺍﻟْﻘَﺪَﺭِ ﺭُﻣُﻮﺯَﺍﺕُ ﺍﻟْﻘُﺪْﺭَﺓِ ﺑِﺎَﻥَّ ﺗِﻠْﻚَ ﺍﻟْﻜَﺜْﺮَﺓَ ﻣِﻦْ ﻣَﻨْﺒَﻊِ ﺍﻟْﻮَﺣْﺪَﺓِ ﺗَﺼْﺪُﺭُ ﺷَﺎﻫِﺪَﺓً ﻟِﻮَﺣْﺪَﺓِ ﺍﻟْﻔَﺎﻃِﺮِ ﻓِﻰ ﺍﻟﺼُّﻨْﻊِ ﻭَ ﺍﻟﺘَّﺼْﻮِﻳﺮِ ﺛُﻢَّ ﺍِﻟَﻰ ﺍﻟْﻮَﺣْﺪَﺓِ ﺗَﻨْﺘَﻬِﻰ ﺫَﺍﻛِﺮَﺓً ﻟِﺤِﻜْﻤَﺔِ ﺍﻟﺼَّﺎﻧِﻊِ ﻓِﻰ ﺍﻟْﺨَﻠْﻖِ ﻭَ ﺍﻟﺘَّﺪْﺑِﻴﺮِ ٭ ﻭَ ﺗَﻠْﻮِﻳﺤَﺎﺕُ ﺍﻟْﺤِﻜْﻤَﺔِ ﺑِﺎَﻥَّ ﺧَﺎﻟِﻖَ ﺍﻟْﻜُﻞِّ ﺑِﻜُﻠِّﻴَّﺔِ ﺍﻟﻨَّﻈَﺮِ ﺍِﻟَﻰ ﺍﻟْﺠُﺰْﺋِﻰِّ ﻳَﻨْﻈُﺮُ ﺛُﻢَّ ﺍِﻟٰﻰ ﺟُﺰْﺋِﻪِ ﺍِﺫْ ﺍِﻥْ ﻛَﺎﻥَ ﺛَﻤَﺮًﺍ ﻓَﻬُﻮَ ﺍﻟْﻤَﻘْﺼُﻮﺩُ ﺍﻻﺎَﻇْﻬَﺮُ ﻣِﻦْ ﺧَﻠْﻖِ ﻫٰﺬَﺍ ﺍﻟﺸَّﺠَﺮِ ﻓَﺎﻟْﺒَﺸَﺮُ ﺛَﻤَﺮٌ ﻟِﻬٰﺬِﻩِ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﻓَﻬُﻮَ ﺍﻟْﻤَﻘْﺼُﻮﺩُ ﺍﻻﺎَﻇْﻬَﺮُ ﻟِﺨَﺎﻟِﻖِ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﻭَ ﺍﻟْﻘَﻠْﺐُ ﻛَﺎﻟﻨُّﻮَﺍﺓِ ﻓَﻬُﻮَ ﺍﻟْﻤِﺮْﺍٰﺓُ ﺍﻻﺎَﻧْﻮَﺭُ ﻟِﺼَﺎﻧِﻊِ ﺍﻟْﻤَﺨْﻠُﻮﻗَﺎﺕِ ٭ ﻣِﻦْ ﻫٰﺬِﻩِ ﺍﻟْﺤِﻜْﻤَﺔِ ﻓَﺎﻻﺎِﻧْﺴَﺎﻥُ ﺍﻻﺎَﺻْﻐَﺮُ ﻓِﻰ ﻫٰﺬِﻩِ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﻫُﻮَ ﺍﻟْﻤَﺪَﺍﺭُ ﺍﻻﺎَﻇْﻬَﺮُ ﻟﻠِﻨَّﺸْﺮِ ﻭَ ﺍﻟْﻤَﺤْﺸَﺮِ ﻓِﻰ ﻫٰﺬِﻩِ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﻭَ ﺍﻟﺘَّﺨْﺮِﻳﺐِ ﻭَ ﺍﻟﺘَّﺒْﺪِﻳﻞِ ﻭَ ﺍﻟﺘَّﺤْﻮِﻳﻞِ ﻭَ ﺍﻟﺘَّﺠْﺪِﻳﺪِ ﻟِﻬٰﺬِﻩِ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ ﻳَﺎ ﻛَﺒِﻴﺮُ ﺍَﻧْﺖَ ﺍﻟَّﺬِﻯ ﻻﺎ ﺗَﻬْﺪِﻯ ﺍﻟْﻌُﻘُﻮﻝُ ﻟِﻜُﻨْﻪِ ﻋَﻈَﻤَﺘِﻪِ ﻛِﻪ ﻻٓﺎ ﺍِﻟٰﻪَ ﺍِﻻَﺎ ﻫُﻮَ ﺑَﺮَﺍﺑَﺮْ ﻣِﻰ ﺯَﻧَﻨْﺪ ﻫَﺮْﺷَﻰْ ﺩَﻣَﺎﺩَﻡْ ﺟُﻮﻳَﺪَﻧْﺪ ﻳَﺎ ﺣَﻖّ ﺳَﺮَﺍﺳَﺮْ ُﻭﻳَﺪَﻧْﺪ ﻳَﺎ ﺣَﻰّ {():Bu Üçüncü Mertebe, cüz'î bir çiçeği ve güzel bir kadını nazara alıyor. Koca bahar bir çiçektir, Cennet dahi bir çiçek gibidir, o mertebenin mazharlarıdırlar. Ve âlem güzel ve büyük bir insan ve huriler nev'i ve ruhanîler taifesi ve hayvanlar cinsi ve insan sınıfı herbiri manen güzel bir insan hükmünde, bu mertebenin gösterdiği esmayı safahatıyla gösteriyor.} ﺍَﻟْﻤَﺮْﺗَﺒَﺔُ ﺍﻟﺜَّﺎﻟِﺜَﺔُ ﴾ﺍِﻳﻀَﺎﺣُﻬَﺎ ﻓِﻰ ﺭَﺍْﺱِ ﺍﻟْﻤَﻮْﻗِﻒِ ﺍﻟﺜَّﺎﻟِﺚِ ﻣِﻦَ ﺍﻟﺮِّﺳَﺎﻟَﺔِ ﺍﻟﺜَّﺎﻧِﻴَﺔِ ﻭَ ﺛَﻼﺎﺛِﻴﻦَ﴿ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ ﻣِﻦْ ﻛُﻞِّ ﺷَﻲْﺀٍ ﻗُﺪْﺭَﺓً ﻭَ ﻋِﻠْﻤًﺎ ﺍِﺫْ ﻫُﻮَ ﺍﻟْﻘَﺪِﻳﺮُ ﺍﻟْﻤُﻘَﺪِّﺭُ ﺍﻟْﻌَﻠِﻴﻢُ ﺍﻟْﺤَﻜِﻴﻢُ ﺍﻟْﻤُﺼَﻮِّﺭُ ﺍﻟْﻜَﺮِﻳﻢُ ﺍﻟﻠَّﻄِﻴﻒُ ﺍﻟْﻤُﺰَﻳِّﻦُ ﺍﻟْﻤُﻨْﻌِﻢُ ﺍﻟْﻮَﺩُﻭﺩُ ﺍﻟْﻤُﺘَﻌَﺮِّﻑُ ﺍﻟﺮَّﺣْﻤٰﻦُ ﺍﻟﺮَّﺣِﻴﻢُ ﺍﻟْﻤُﺘَﺤَﻨِّﻦُ ﺍﻟْﺠَﻤِﻴﻞُ ﺫُﻭ ﺍﻟْﺠَﻤَﺎﻝِ ﻭَ ﺍﻟْﻜَﻤَﺎﻝِ ﺍﻟْﻤُﻄْﻠَﻖِ ﺍﻟﻨَّﻘَّﺎﺵُ ﺍﻻﺎَﺯَﻟِﻰُّ ﺍﻟَّﺬِﻯ ﻣَﺎﺣَﻘَﺎﺋِﻖُ ﻫٰﺬِﻩِ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﻛُﻼًﺎ ﻭَ ﺍَﺟْﺰَﺍﺀً ﻭَ ﺻَﺤَﺎﺋِﻒَ ﻭَ ﻃَﺒَﻘَﺎﺕٍ ﻭَ ﻣَﺎ ﺣَﻘَﺎﺋِﻖُ ﻫٰﺬِﻩِ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﻛُﻠِّﻴًّﺎ ﻭَ ﺟُﺰْﺋِﻴًّﺎ ﻭَ ﻭُﺟُﻮﺩًﺍ ﻭَ ﺑَﻘَﺎﺀً ﺍِﻻَﺎ ﻭَ ﻫِﻰَ ﺧُﻄُﻮﻁُ ﻗَﻠَﻢِ ﻗَﻀَﺎﺋِﻪِ ﻭَ ﻗَﺪَﺭِﻩِ ﺑِﺘَﻨْﻈِﻴﻢٍ ﻭَ ﺗَﻘْﺪِﻳﺮٍ ﻭَ ﻋِﻠْﻢٍ ﻭَ ﺣِﻜْﻤَﺔٍ ﻭَ ﺍِﻻَﺎ ﻧُﻘُﻮﺵُ َﺭْﻛَﺎﺭِ ﻋِﻠْﻤِﻪِ ﻭَ ﺣِﻜْﻤَﺘِﻪِ ﺑِﺼُﻨْﻊٍ ﻭَ ﺗَﺼْﻮِﻳﺮٍ ﻭَ ﺍِﻻَﺎ ﺗَﺰْﻳِﻴﻨَﺎﺕُ ﻳَﺪِ ﺑَﻴْﻀَﺎﺀِ ﺻُﻨْﻌِﻪِ ﻭَ ﺗَﺼْﻮِﻳﺮِﻩِ ﻭَ ﺗَﺰْﻳِﻴﻨِﻪِ ﻭَ ﺗَﻨْﻮِﻳﺮِﻩِ ﺑِﻠُﻄْﻒٍ ﻭَ ﻛَﺮَﻡٍ ﻭَ ﺍِﻻَﺎ ﺍَﺯَﺍﻫِﻴﺮُ ﻟَﻄَﺎﺋِﻒِ ﻟُﻄْﻔِﻪِ ﻭَ ﻛَﺮَﻣِﻪِ ﻭَ ﺗَﻌَﺮُّﻓِﻪِ ﻭَ ﺗَﻮَﺩُّﺩِﻩِ ﺑِﺮَﺣْﻤَﺔٍ ﻭَ ﻧِﻌْﻤَﺔٍ ﻭَ ﺍِﻻَﺎ ﺛَﻤَﺮَﺍﺕُ ﻓَﻴَّﺎﺽِ ﻋَﻴْﻦِ ﺭَﺣْﻤَﺘِﻪِ ﻭَ ﻧِﻌْﻤَﺘِﻪِ ﻭَ ﺗَﺮَﺣُّﻤِﻪِ ﻭَ ﺗَﺤَﻨُّﻨِﻪِ ﺑِﺠَﻤَﺎﻝٍ ﻭَ ﻛَﻤَﺎﻝٍ ﻭَ ﺍِﻻَﺎ ﻟَﻤَﻌَﺎﺕُ ﺟَﻤَﺎﻝٍ ﺳَﺮْﻣَﺪِﻯٍّ ﻭَ ﻛَﻤَﺎﻝٍ ﺩَﻳْﻤُﻮﻣِﻰٍّ ﺑِﺸَﻬَﺎﺩَﺓِ ﺗَﻔَﺎﻧِﻴَﺔِ ﺍﻟْﻤَﺮَﺍﻳَﺎ ﻭَ ﺳَﻴَّﺎﻟِﻴَّﺔِ ﺍﻟْﻤَﻈَﺎﻫِﺮِ ﻣَﻊَ ﺩَﻭَﺍﻡِ ﺗَﺠَﻠِّﻰ ﺍﻟْﺠَﻤَﺎﻝِ ﻋَﻠٰﻰ ﻣَﺮِّ ﺍﻟْﻔُﺼُﻮﻝِ ﻭَ ﺍﻟْﻌُﺼُﻮﺭِ ﻭَ ﺍﻻﺎَﺩْﻭَﺍﺭِ ﻭَ ﻣَﻊَ ﺩَﻭَﺍﻡِ ﺍﻻﺎِﻧْﻌَﺎﻡِ ﻋَﻠٰﻰ ﻣَﺮِّ ﺍﻻﺎَﻧَﺎﻡِ ﻭَ ﺍﻻﺎَﻳَّﺎﻡِ ﻭَ ﺍﻻﺎَﻋْﻮَﺍﻡِ ﻧَﻌَﻢْ ﺗَﻔَﺎﻧِﻰ ﺍﻟْﻤِﺮْﺍٰﺓِ ﺯَﻭَﺍﻝُ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﻣَﻊَ ﺍﻟﺘَّﺠَﻠِّﻰ ﺍﻟﺪَّﺍﺋِﻢِ ﻣَﻊَ ﺍﻟْﻔَﻴْﺾِ ﺍﻟْﻤُﻼﺎﺯِﻡِ ﻣِﻦْ ﺍَﻇْﻬَﺮِ ﺍﻟﻈَّﻮَﺍﻫِﺮِ ﻣِﻦْ ﺍَﺑْﻬَﺮِ ﺍﻟْﺒَﻮَﺍﻫِﺮِ ﻋَﻠٰﻰ ﺍَﻥَّ ﺍﻟْﺠَﻤَﺎﻝَ ﺍﻟﻈَّﺎﻫِﺮَ ﺍَﻥَّ ﺍﻟْﻜَﻤَﺎﻝَ ﺍﻟﺰَّﺍﻫِﺮَ ﻟَﻴْﺴَﺎ ﻣُﻠْﻚَ ﺍﻟْﻤَﻈَﺎﻫِﺮِ ﻣِﻦْ ﺍَﻓْﺼَﺢِ ﺗِﺒْﻴَﺎﻥٍ ﻣِﻦْ ﺍَﻭْﺿَﺢِ ﺑُﺮْﻫَﺎﻥٍ ﻟِﻠْﺠَﻤَﺎﻝِ ﺍﻟْﻤُﺠَﺮَّﺩِ ﻟِـﻻﺎِﺣْﺴَﺎﻥِ ﺍﻟْﻤُﺠَﺪَّﺩِ ﻟِﻠْْﻮَﺍﺟِﺐِ ﺍﻟْﻮُﺟُﻮﺩِ ﻟِﻠْﺒَﺎﻗِﻰ ﺍﻟْﻮَﺩُﻭﺩِ ﻧَﻌَﻢْ ﻓَﺎﻻﺎَﺛَﺮُ ﺍﻟْﻤُﻜَﻤَّﻞُ ﻳَﺪُﻝُّ ﺑِﺎﻟْﺒَﺪَﺍﻫَﺔِ ﻋَﻠَﻰ ﺍﻟْﻔِﻌْﻞِ ﺍﻟْﻤُﻜَﻤَّﻞِ ﺛُﻢَّ ﺍﻟْﻔِﻌْﻞُ ﺍﻟْﻤُﻜَﻤَّﻞُ ﻳَﺪُﻝُّ ﺑِﺎﻟﻀَّﺮُﻭﺭَﺓِ ﻋَﻠَﻰ ﺍﻻﺎِﺳْﻢِ ﺍﻟْﻤُﻜَﻤَّﻞِ ﻭَ ﺍﻟْﻔَﺎﻋِﻞِ ﺍﻟْﻤُﻜَﻤَّﻞِ ﺛُﻢَّ ﺍﻻﺎِﺳْﻢُ ﺍﻟْﻤُﻜَﻤَّﻞُ ﻳَﺪُﻝُّ ﺑِﻼﺎ ﺭَﻳْﺐٍ ﻋَﻠَﻰ ﺍﻟْﻮَﺻْﻒِ ﺍﻟْﻤُﻜَﻤَّﻞِ ﺛُﻢَّ ﺍﻟْﻮَﺻْﻒُ ﺍﻟْﻤُﻜَﻤَّﻞُ ﻳَﺪُﻝُّ ﺑِﻼﺎ ﺷَﻚٍّ ﻋَﻠَﻰ ﺍﻟﺸَّﺎْﻥِ ﺍﻟْﻤُﻜَﻤَّﻞِ ﺛُﻢَّ ﺍﻟﺸَّﺎْﻥُ ﺍﻟْﻤُﻜَﻤَّﻞُ ﻳَﺪُﻝُّ ﺑِﺎﻟْﻴَﻘِﻴﻦِ ﻋَﻠٰﻰ ﻛَﻤَﺎﻝِ ﺍﻟﺬَّﺍﺕِ ﺑِﻤَﺎ ﻳَﻠِﻴﻖُ ﺑِﺎﻟﺬَّﺍﺕِ ﻭَ ﻫُﻮَ ﺍﻟْﺤَﻖُّ ﺍﻟْﻴَﻘِﻴﻦُ ﺍَﻟْﻤَﺮْﺗَﺒَﺔُ ﺍﻟﺮَّﺍﺑِﻌَﺔُ ﺟَﻞَّ ﺟَﻼﺎﻟُﻪُ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ ﺍِﺫْ ﻫُﻮَ ﺍﻟْﻌَﺪْﻝُ ﺍﻟْﻌَﺎﺩِﻝُ ﺍﻟْﺤَﻜَﻢُ ﺍﻟْﺤَﺎﻛِﻢُ ﺍﻟْﺤَﻜِﻴﻢُ ﺍﻻﺎَﺯَﻟِﻰُّ ﺍﻟَّﺬِﻯ ﺍَﺳَّﺲَ ﺑُﻨْﻴَﺎﻥَ ﺷَﺠَﺮَﺓِ ﻫٰﺬِﻩِ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﻓِﻰ ﺳِﺘَّﺔِ ﺍَﻳَّﺎﻡٍ ﺑِﺎُﺻُﻮﻝِ ﻣَﺸِﻴﺌَﺘِﻪِ ﻭَ ﺣِﻜْﻤَﺘِﻪِ ﻭَ ﻓَﺼَّﻠَﻬَﺎ ﺑِﺪَﺳَﺎﺗِﻴﺮِ ﻗَﻀَﺎﺋِﻪِ ﻭَ ﻗَﺪَﺭِﻩِ ﻭَ ﻧَﻈَّﻤَﻬَﺎ ﺑِﻘَﻮَﺍﻧِﻴﻦِ ﻋَﺎﺩَﺗِﻪِ ﻭَ ﺳُﻨَّﺘِﻪِ ﻭَ ﺯَﻳَّﻨَﻬَﺎ ﺑِﻨَﻮَﺍﻣِﻴﺲِ ﻋِﻨَﺎﻳَﺘِﻪِ ﻭَ ﺭَﺣْﻤَﺘِﻪِ ﻭَ ﻧَﻮَّﺭَﻫَﺎ ﺑِﺠَﻠَﻮَﺍﺕِ ﺍَﺳْﻤَﺎﺋِﻪِ ﻭَ ﺻِﻔَﺎﺗِﻪِ ﺑِﺸَﻬَﺎﺩَﺍﺕِ ﺍِﻧْﺘِﻈَﺎﻣَﺎﺕِ ﻣَﺼْﻨُﻮﻋَﺎﺗِﻪِ ﻭَ ﺗَﺰَﻳُّﻨَﺎﺕِ ﻣَﻮْﺟُﻮﺩَﺍﺗِﻪِ ﻭَ ﺗَﺸَﺎﺑُﻬِﻬَﺎ ﻭَ ﺗَﻨَﺎﺳُﺒِﻬَﺎ ﻭَ ﺗَﺠَﺎﻭُﺑِﻬَﺎ ﻭَ ﺗَﻌَﺎﻭُﻧِﻬَﺎ ﻭَ ﺗَﻌَﺎﻧُﻘِﻬَﺎ ﻭَ ﺍِﺗِّﻘَﺎﻥِ ﺍﻟﺼَّﻨْﻌَﺔِ ﺍﻟﺸُّﻌُﻮﺭِﻳَّﺔِ ﻓِﻰ ﻛُﻞِّ ﺷَﻲْﺀٍ ﻋَﻠٰﻰ ﻣِﻘْﺪَﺍﺭِ ﻗَﺎﻣَﺔِ ﻗَﺎﺑِﻠِﻴَّﺘِﻪِ ﺍﻟْﻤُﻘَﺪَّﺭَﺓِ ﺑِﺘَﻘْﺪِﻳﺮِ ﺍﻟْﻘَﺪَﺭِ ﻓَﺎﻟْﺤِﻜْﻤَﺔُ ﺍﻟْﻌَﺎﻣَّﺔُ ﻓِﻰ ﺗَﻨْﻈِﻴﻤَﺎﺗِﻬَﺎ ﻭَ ﺍﻟْﻌِﻨَﺎﻳَﺔُ ﺍﻟﺘَّﺎﻣَّﺔُ ﻓِﻰ ﺗَﺰْﻳِﻴﻨَﺎﺗِﻬَﺎ ﻭَ ﺍﻟﺮَّﺣْﻤَﺔُ ﺍﻟْﻮَﺍﺳِﻌَﺔُ ﻓِﻰ ﺗَﻠْﻄِﻴﻔَﺎﺗِﻬَﺎ ﻭَ ﺍﻻﺎَﺭْﺯَﺍﻕُ ﻭَ ﺍﻻﺎِﻋَﺎﺷَﺔُ ﺍﻟﺸَّﺎﻣِﻠَﺔُ ﻓِﻰ ﺗَﺮْﺑِﻴَﺘِﻬَﺎ ﻭَ ﺍﻟْﺤَﻴَﺎﺓُ ﺍﻟْﻌَﺠِﻴﺒَﺔُ ﺍﻟﺼَّﻨْﻌَﺔِ ﺑِﻤَﻈْﻬَﺮِﻳَّﺘِﻬَﺎ ﻟﻠِﺸُُّﻦِ ﺍﻟﺬَّﺍﺗِﻴَّﺔِ ﻟِﻔَﺎﻃِﺮِﻫَﺎ ﻭَ ﺍﻟْﻤَﺤَﺎﺳِﻦُ ﺍﻟْﻘَﺼْﺪِﻳَّﺔُ ﻓِﻰ ﺗَﺤْﺴِﻴﻨَﺎﺗِﻬَﺎ ﻭَ ﺩَﻭَﺍﻡُ ﺗَﺠَﻠِّﻰ ﺍﻟْﺠَﻤَﺎﻝِ ﺍﻟْﻤُﻨْﻌَﻜِﺲِ ﻣَﻊَ ﺯَﻭَﺍﻟِﻬَﺎ ﻭَ ﺍﻟْﻌِﺸْﻖُ ﺍﻟﺼَّﺎﺩِﻕُ ﻓِﻰ ﻗَﻠْﺒِﻬَﺎ ﻟِﻤَﻌْﺒُﻮﺩِﻫَﺎ ﻭَ ﺍﻻﺎِﻧْﺠِﺬَﺍﺏُ ﺍﻟﻈَّﺎﻫِﺮُ ﻓِﻰ ﺟَﺬْﺑَﺘِﻬَﺎ ﻭَ ﺍِﺗِّﻔَﺎﻕُ ﻛُﻞِّ ﻛُﻤَّﻠِﻬَﺎ ﻋَﻠٰﻰ ﻭَﺣْﺪَﺓِ ﻓَﺎﻃِﺮِﻫَﺎ ﻭَ ﺍﻟﺘَّﺼَﺮُّﻑُ ﻟِﻤَﺼَﺎﻟِﺢَ ﻓِﻰ ﺍَﺟْﺰَﺍﺋِﻬَﺎ ﻭَ ﺍﻟﺘَّﺪْﺑِﻴﺮُ ﺍﻟْﺤَﻜِﻴﻢُ ﻟِﻨَﺒَﺎﺗَﺎﺗِﻬَﺎ ﻭَ ﺍﻟﺘَّﺮْﺑِﻴَﺔُ ﺍﻟْﻜَﺮِﻳﻤَﺔُ ﻟِﺤَﻴْﻮَﺍﻧَﺎﺗِﻬَﺎ ﻭَ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡُ ﺍﻟْﻤُﻜَﻤَّﻞُ ﻓِﻰ ﺗَﻐَﻴُّﺮَﺍﺕِ ﺍَﺭْﻛَﺎﻧِﻬَﺎ ﻭَ ﺍﻟْﻐَﺎﻳَﺎﺕُ ﺍﻟْﺠَﺴِﻴﻤَﺔُ ﻓِﻰ ﺍِﻧْﺘِﻈَﺎﻡِ ﻛُﻠِّﻴَّﺘِﻬَﺎ ﻭَ ﺍﻟْﺤُﺪُﻭﺙُ ﺩَﻓْﻌَﺔً ﻣَﻊَ ﻏَﺎﻳَﺔِ ﻛَﻤَﺎﻝِ ﺣُﺴْﻦِ ﺻَﻨْﻌَﺘِﻬَﺎ ﺑِﻼﺎ ﺍِﺣْﺘِﻴَﺎﺝٍ ﺍِﻟٰﻰ ﻣُﺪَّﺓٍ ﻭَ ﻣَﺎﺩَّﺓٍ ﻭَ ﺍﻟﺘَّﺸَﺨُّﺼَﺎﺕُ ﺍﻟْﺤَﻜِﻴﻤَﺔُ ﻣَﻊَ ﻋَﺪَﻡِ ﺗَﺤْﺪِﻳﺪِ ﺗَﺮَﺩُّﺩِ ﺍِﻣْﻜَﺎﻧَﺎﺗِﻬَﺎ ﻭَ ﻗَﻀَﺎﺀُ ﺣَﺎﺟَﺎﺗِﻬَﺎ ﻋَﻠٰﻰ ﻏَﺎﻳَﺔِ ﻛَﺜْﺮَﺗِﻬَﺎ ﻭَ ﺗَﻨَﻮُّﻋِﻬَﺎ ﻓِﻰ ﺍَﻭْﻗَﺎﺗِﻬَﺎ ﺍﻟﻼَﺎﺋِﻘَﺔِ ﺍﻟْﻤُﻨَﺎﺳِﺒَﺔِ ﻣِﻦْ ﺣَﻴْﺚُ ﻻﺎ ﻳَﺤْﺘَﺴِﺐُ ﻭَ ﻣِﻦْ ﺣَﻴْﺚُ ﻻﺎ ﻳُﺸْﻌَﺮُ ﻣَﻊَ ﻗَﺼْﺮِ ﺍَﻳْﺪِﻳﻬَﺎ ﻣِﻦْ ﺍَﺻْﻐَﺮِ ﻣَﻄَﺎﻟِﺒِﻬَﺎ ﻭَ ﺍﻟْﻘُﻮَّﺓُ ﺍﻟْﻤُﻄْﻠَﻘَﺔُ ﻓِﻰ ﻣَﻌْﺪَﻥِ ﺿَﻌْﻔِﻬَﺎ ﻭَ ﺍﻟْﻘُﺪْﺭَﺓُ ﺍﻟْﻤُﻄْﻠَﻘَﺔُ ﻓِﻰ ﻣَﻨْﺒَﻊِ ﻋَﺠْﺰِﻫَﺎ ﻭَ ﺍﻟْﺤَﻴَﺎﺓُ ﺍﻟﻈَّﺎﻫِﺮَﺓُ ﻓِﻰ ﺟُﻤُﻮﺩِﻫَﺎ ﻭَ ﺍﻟﺸُّﻌُﻮﺭُ ﺍﻟْﻤُﺤِﻴﻂُ ﻓِﻰ ﺟَﻬْﻠِﻬَﺎ ﻭَ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡُ ﺍﻟْﻤُﻜَﻤَّﻞُ ﻓِﻰ ﺗَﻐَﻴُّﺮَﺍﺗِﻬَﺎ ﺍﻟْﻤُﺴْﺘَﻠْﺰِﻡُ ﻟِﻮُﺟُﻮﺩِ ﺍﻟْﻤُﻐَﻴِّﺮِ ﺍﻟْﻐَﻴْﺮِ ﺍﻟْﻤُﺘَﻐَﻴِّﺮِ ﻭَ ﺍﻻﺎِﺗِّﻔَﺎﻕُ ﻓِﻰ ﺗَﺴْﺒِﻴﺤَﺎﺗِﻬَﺎ ﻛَﺎﻟﺪَّﻭَﺍﺋِﺮِ ﺍﻟْﻤُﺘَﺪَﺍﺧِﻠَﺔِ ﺍﻟْﻤُﺘَّﺤِﺪَﺓِ ﺍﻟْﻤَﺮْﻛَﺰِ ﻭَ ﺍﻟْﻤَﻘْﺒُﻮﻟِﻴَّﺔُ ﻓِﻰ ﺩَﻋَﻮَﺍﺗِﻬَﺎ ﺍﻟﺜَّﻼﺎﺙِ ﺑِﻠِﺴَﺎﻥِ ﺍِﺳْﺘِﻌْﺪَﺍﺩِﻫَﺎ ﻭَ ﺑِﻠِﺴَﺎﻥِ ﺍِﺣْﺘِﻴَﺎﺟِﻬَﺎ ﺍﻟْﻔِﻄْﺮِﻳَّﺔِ ﻭَ ﺑِﻠِﺴَﺎﻥِ ﺍِﺿْﻄِﺮَﺍﺭِﻫَﺎ ﻭَ ﺍﻟْﻤُﻨَﺎﺟَﺎﺓُ ﻭَ ﺍﻟﺸُّﻬُﻮﺩَﺍﺕُ ﻭَ ﺍﻟْﻔُﻴُﻮﺿَﺎﺕُ ﻓِﻰ ﻋِﺒَﺎﺩَﺍﺗِﻬَﺎ ﻭَ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡُ ﻓِﻰ ﻗَﺪَﺭَﻳْﻬَﺎ ﻭَ ﺍﻻﺎِﻃْﻤِﺌْﻨَﺎﻥُ ﺑِﺬِﻛْﺮِ ﻓَﺎﻃِﺮِﻫَﺎ ﻭَ ﻛَﻮْﻥُ ﺍﻟْﻌِﺒَﺎﺩَﺓِ ﻓِﻴﻬَﺎ ﺧَﻴْﻂَ ﺍﻟْﻮُﺻْﻠَﺔِ ﺑَﻴْﻦَ ﻣُﻨْﺘَﻬٰﻴﻬَﺎ ﻭَ ﻣَﺒْﺪَﺋِﻬَﺎ ﻭَ ﺳَﺒَﺐُ ﻇُﻬُﻮﺭِ ﻛَﻤَﺎﻟِﻬَﺎ ﻭَ ﻟِﺘَﺤَﻘُّﻖِ ﻣَﻘَﺎﺻِﺪِ ﺻَﺎﻧِﻌِﻬَﺎ ﻭَ ﻫٰﻜَﺬَﺍ ﺑِﺴَﺎﺋِﺮِ ﺷُُﻨَﺎﺗِﻬَﺎ ﻭَ ﺍَﺣْﻮَﺍﻟِﻬَﺎ ﻭَ ﻛَﻴْﻔِﻴَّﺎﺗِﻬَﺎ ﺷَﺎﻫِﺪَﺍﺕٌ ﺑِﺎَﻧَّﻬَﺎ ﻛُﻠَّﻬَﺎ ﺑِﺘَﺪْﺑِﻴﺮِ ﻣُﺪَﺑِّﺮٍ ﺣَﻜِﻴﻢٍ ﻭَﺍﺣِﺪٍ ﻭَ ﻓِﻰ ﺗَﺮْﺑِﻴَﺔِ ﻣُﺮَﺏٍّ ﻛَﺮِﻳﻢٍ ﺍَﺣَﺪٍ ﺻَﻤَﺪٍ ﻭَ ﻛُﻠَّﻬَﺎ ﺧُﺪَّﺍﻡُ ﺳَﻴِّﺪٍ ﻭَﺍﺣِﺪٍ ﻭَ ﺗَﺤْﺖَ ﺗَﺼَﺮُّﻑِ ﻣُﺘَﺼَﺮِّﻑٍ ﻭَﺍﺣِﺪٍ ﻭَ ﻣَﺼْﺪَﺭُﻫُﻢْ ﻗُﺪْﺭَﺓُ ﺍﻟْﻮَﺍﺣِﺪِ ﺍﻟَّﺬِﻯ ﺗَﻈَﺎﻫَﺮَﺕْ ﻭَ ﺗَﻜَﺎﺛَﺮَﺕْ ﺧَﻮَﺍﺗِﻴﻢُ ﻭَﺣْﺪَﺗِﻪِ ﻋَﻠٰﻰ ﻛُﻞِّ ﻣَﻜْﺘُﻮﺏٍ ﻣِﻦْ ﻣَﻜْﺘُﻮﺑَﺎﺗِﻪِ ﻓِﻰ ﻛُﻞِّ ﺻَﻔْﺤَﺔٍ ﻣِﻦْ ﺻَﻔَﺤَﺎﺕِ ﻣَﻮْﺟُﻮﺩَﺍﺗِﻪِ ﻧَﻌَﻢْ ﻓَﻜُﻞُّ ﺯُﻫْﺮَﺓٍ ﻭَ ﺛَﻤَﺮٍ ﻭَ ﻛُﻞُّ ﻧَﺒَﺎﺕٍ ﻭَ ﺷَﺠَﺮٍ ﺑَﻞْ ﻛُﻞُّ ﺣَﻴْﻮَﺍﻥٍ ﻭَ ﺣَﺠَﺮٍ ﺑَﻞْ ﻛُﻞُّ ﺫَﺭٍّ ﻭَ ﻣَﺪَﺭٍ ﻓِﻰ ﻛُﻞِّ ﻭَﺍﺩٍ ﻭَ ﺟَﺒَﻞٍ ﻭَ ﻛُﻞِّ ﺑَﺎﺩٍ ﻭَ ﻗَﻔَﺮٍ ﺧَﺎﺗَﻢٌ ﺑَﻴِّﻦُ ﺍﻟﻨَّﻘْﺶِ ﻭَ ﺍﻻﺎَﺛَﺮِ ﻳُﻈْﻬِﺮُ ﻟِﺪِﻗَّﺔِ ﺍﻟﻨَّﻈَﺮِ ﺑِﺎَﻥَّ ﺫَﺍ ﺫَﺍﻙَ ﺍﻻﺎَﺛَﺮِ ﻫُﻮَ ﻛَﺎﺗِﺐُ ﺫَﺍﻙَ ﺍﻟْﻤَﻜَﺎﻥِ ﺑِﺎﻟْﻌِﺒَﺮِ ﻓَﻬُﻮَ ﻛَﺎﺗِﺐُ ﻇَﻬْﺮِ ﺍﻟْﺒَﺮِّ ﻭَ ﺑَﻄْﻦِ ﺍﻟْﺒَﺤْﺮِ ﻓَﻬُﻮَ ﻧَﻘَّﺎﺵُ ﺍﻟﺸَّﻤْﺲِ ﻭَ ﺍﻟْﻘَﻤَﺮِ ﻓِﻰ ﺻَﺤِﻴﻔَﺔِ ﺍﻟﺴَّﻤٰﻮَﺍﺕِ ﺫَﺍﺕِ ﺍﻟْﻌِﺒَﺮِ ﺟَﻞَّ ﺟَﻼﺎﻝُ ﻧَﻘَّﺎﺷِﻬَﺎ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ ﻛِﻪ ﻻٓﺎ ﺍِﻟٰﻪَ ﺍِﻻَﺎ ﻫُﻮَ ﺑَﺮَﺍﺑَﺮْ ﻣِﻰ ﺯَﻧَﺪْ ﻋَﺎﻟَﻢْ {():Otuzikinci Söz'ün Birinci Mevkıfı'nın zeylinde ve Yirminci Mektub'un İkinci Makamı'nda izah edilmiştir.} ﺍَﻟْﻤَﺮْﺗَﺒَﺔُ ﺍﻟْﺨَﺎﻣِﺴَﺔُ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ ﺍِﺫْ ﻫُﻮَ ﺍﻟْﺨَﻼَﺎﻕُ ﺍﻟْﻘَﺪِﻳﺮُ ﺍﻟْﻤُﺼَﻮِّﺭُ ﺍﻟْﺒَﺼِﻴﺮُ ﺍﻟَّﺬِﻯ ﻫٰﺬِﻩِ ﺍﻻﺎَﺟْﺮَﺍﻡُ ﺍﻟْﻌُﻠْﻮِﻳَّﺔُ ﻭَ ﺍﻟْﻜَﻮَﺍﻛِﺐُ ﺍﻟﺪُّﺭِّﻳَّﺔُ ﻧَﻴِّﺮَﺍﺕُ ﺑَﺮَﺍﻫِﻴﻦِ ﺍُﻟُﻮﻫِﻴَّﺘِﻪِ ﻭَ ﻋَﻈَﻤَﺘِﻪِ ﻭَ ﺷُﻌَﺎﻋَﺎﺕُ ﺷَﻮَﺍﻫِﺪِ ﺭُﺑُﻮﺑِﻴَّﺘِﻪِ ﻭَ ﻋِﺰَّﺗِﻪِ ﺗَﺸْﻬَﺪُ ﻭَ ﺗُﻨَﺎﺩِﻯ ﻋَﻠٰﻰ ﺷَﻌْﺸَﻌَﺔِ ﺳَﻠْﻄَﻨَﺔِ ﺭُﺑُﻮﺑِﻴَّﺘِﻪِ ﻭَ ﺗُﻨَﺎﺩِﻯ ﻋَﻠٰﻰ ﻭُﺳْﻌَﺔِ ﺣُﻜْﻤِﻪِ ﻭَ ﺣِﻜْﻤَﺘِﻪِ ﻭَ ﻋَﻠٰﻰ ﺣِﺸْﻤَﺔِ ﻋَﻈَﻤَﺔِ ﻗُﺪْﺭَﺗِﻪِ ﻓَﺎﺳْﺘَﻤِﻊْ ﺍِﻟٰﻰ ﺍٰﻳَﺔِ ﴾ﺍَﻓَﻠَﻢْ ﻳَﻨْﻈُﺮُﻭﺍ ﺍِﻟَﻰ ﺍﻟﺴَّﻤَﺎﺀِ ﻓَﻮْﻗَﻬُﻢْ ﻛَﻴْﻒَ ﺑَﻨَﻴْﻨَﺎﻫَﺎ ﻭَ ﺯَﻳَّﻨَّﺎﻫَﺎ﴿ ﺍﻟﺦ ﺛُﻢَّ ﺍﻧْﻈُﺮْ ﺍِﻟٰﻰ ﻭَﺟْﻪِ ﺍﻟﺴَّﻤَﺎﺀِ ﻛَﻴْﻒَ ﺗَﺮٰﻯ ﺳُﻜُﻮﺗًﺎ ﻓِﻰ ﺳُﻜُﻮﻧَﺔٍ ﺣَﺮَﻛَﺔً ﻓِﻰ ﺣِﻜْﻤَﺔٍ ﺗَﻠَﺌْـﻝًُ ﻓِﻰ ﺣِﺸْﻤَﺔٍ ﺗَﺒَﺴُّﻤًﺎ ﻓِﻰ ﺯِﻳﻨَﺔٍ ﻣَﻊَ ﺍِﻧْﺘِﻈَﺎﻡِ ﺍﻟْﺨِﻠْﻘَﺔِ ﻣَﻊَ ﺍِﺗِّﺰَﺍﻥِ ﺍﻟﺼَّﻨْﻌَﺔِ ﺗَﺸَﻌْﺸُﻊُ ﺳِﺮَﺍﺟِﻬَﺎ ﻟِﺘَﺒْﺪِﻳﻞِ ﺍﻟْﻤَﻮَﺍﺳِﻢِ ﺗَﻬَﻠْﻬُﻞُ ﻣِﺼْﺒَﺎﺣِﻬَﺎ ﻟِﺘَﻨْﻮِﻳﺮِ ﺍﻟْﻤَﻌَﺎﻟِﻢِ ﺗَﻠَﺌْـﻝُُ ﻧُﺠُﻮﻣِﻬَﺎ ﻟِﺘَﺰْﻳِﻴﻦِ ﺍﻟْﻌَﻮَﺍﻟِﻢِ ﺗُﻌْﻠِﻦُ ﻻﺎَﻫْﻞِ ﺍﻟﻨُّﻬٰﻰ ﺳَﻠْﻄَﻨَﺔً ﺑِﻼﺎ ﺍِﻧْﺘِﻬَﺎﺀٍ ﻟِﺘَﺪْﺑِﻴﺮِ ﻫٰﺬََﺍ ﺍﻟْﻌَﺎﻟَﻢِ ﻓَﺬٰﻟِﻚَ ﺍﻟْﺨَﻼَﺎﻕُ ﺍﻟْﻘَﺪِﻳﺮُ ﻋَﻠِﻴﻢٌ ﺑِﻜُﻞِّ ﺷَﻲْﺀٍ ﻭَ ﻣُﺮِﻳﺪٌ ﺑِﺎِﺭَﺍﺩَﺓٍ ﺷَﺎﻣِﻠَﺔٍ ﻣَﺎﺷَﺎﺀَ ﻛَﺎﻥَ ﻭَ ﻣَﺎ ﻟَﻢْ ﻳَﺸَﺎْ ﻟَﻢْ ﻳَﻜُﻦْ ﻭَ ﻫُﻮَ ﻗَﺪِﻳﺮٌ ﻋَﻠٰﻰ ﻛُﻞِّ ﺷَﻲْﺀٍ ﺑِﻘُﺪْﺭَﺓٍ ﻣُﻄْﻠَﻘَﺔٍ ﻣُﺤِﻴﻄَﺔٍ ﺫَﺍﺗِﻴَّﺔٍ ﻭَ ﻛَﻤَﺎ ﻻﺎ ﻳُﻤْﻜِﻦُ ﻭَ ﻻﺎ ﻳُﺘَﺼَﻮَّﺭُ ﻭُﺟُﻮﺩُ ﻫٰﺬِﻩِ ﺍﻟﺸَّﻤْﺲِ ﻓِﻰ ﻫٰﺬَﺍ ﺍﻟْﻴَﻮْﻡِ ﺑِﻼﺎ ﺿِﻴَﺎﺀٍ ﻭَ ﻻﺎ ﺣَﺮَﺍﺭَﺓٍ ﻛَﺬٰﻟِﻚَ ﻻﺎ ﻳُﻤْﻜِﻦُ ﻭَ ﻻﺎ ﻳُﺘَﺼَﻮَّﺭُ ﻭُﺟُﻮﺩُ ﺍِﻟٰﻪٍ ﺧَﺎﻟِﻖٍ ﻟﻠِﺴَّﻤٰﻮَﺍﺕِ ﺑِﻼﺎ ﻋِﻠْﻢٍ ﻣُﺤِﻴﻂٍ ﻭَ ﺑِﻼﺎ ﻗُﺪْﺭَﺓٍ ﻣُﻄْﻠَﻘَﺔٍ ﻓَﻬُﻮَ ﺑِﺎﻟﻀَّﺮُﻭﺭَﺓِ ﻋَﻠِﻴﻢٌ ﺑِﻜُﻞِّ ﺷَﻲْﺀٍ ﺑِﻌِﻠْﻢٍ ﻣُﺤِﻴﻂٍ ﻻﺎﺯِﻡٍ ﺫَﺍﺗِﻰٍّ ﻟﻠِﺬَّﺍﺕِ ﻳَﻠْﺰَﻡُ ﺗَﻌَﻠُّﻖُ ﺫٰﻟِﻚَ ﺍﻟْﻌِﻠْﻢِ ﺑِﻜُﻞِّ ﺍﻻﺎَﺷْﻴَﺎﺀِ ﻻﺎ ﻳُﻤْﻜِﻦُ ﺍَﻥْ ﻳَﻨْﻔَﻚَّ ﻋَﻨْﻪُ ﺷَﻲْﺀٌ ﺑِﺴِﺮِّ ﺍﻟْﺤُﻀُﻮﺭِ ﻭَ ﺍﻟﺸُّﻬُﻮﺩِ ﻭَ ﺍﻟﻨُّﻔُﻮﺫِ ﻭَ ﺍﻻﺎِﺣَﺎﻃَﺔِ ﺍﻟﻨُّﻮﺭَﺍﻧِﻴَّﺔِ ﻓَﻤَﺎ ﻳُﺸَﺎﻫَﺪُ ﻓِﻰ ﺟَﻤِﻴﻊِ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﻣِﻦَ ﺍﻻﺎِﻧْﺘِﻈَﺎﻣَﺎﺕِ ﺍﻟْﻤَﻮْﺯُﻭﻧَﺔِ ﻭَ ﺍﻻﺎِﺗِّﺰَﺍﻧَﺎﺕِ ﺍﻟْﻤَﻨْﻈُﻮﻣَﺔِِ ﻭَ ﺍﻟْﺤِﻜَﻢِ ﺍﻟْﻌَﺎﻣَّﺔِ ﻭَ ﺍﻟْﻌِﻨَﺎﻳَﺎﺕِ ﺍﻟﺘَّﺎﻣَّﺔِ ﻭَ ﺍﻻﺎَﻗْﺪَﺍﺭِ ﺍﻟْﻤُﻨْﺘَﻈَﻤَﺔِ ﻭَ ﺍﻻﺎَﻗْﻀِﻴَﺔِ ﺍﻟْﻤُﺜْﻤِﺮَﺓِ ﻭَ ﺍﻻﺎٰﺟَﺎﻝِ ﺍﻟْﻤُﻌَﻴَّﻨَﺔِ ﻭَ ﺍﻻﺎَﺭْﺯَﺍﻕِ ﺍﻟْﻤُﻘَﻨَّﻨَﺔِ ﻭَ ﺍﻻﺎِﺗِّﻘَﺎﻧَﺎﺕِ ﺍﻟْﻤُﻔَﻨَّﻨَﺔِ ﻭَ ﺍﻻﺎِﻫْﺘِﻤَﺎﻣَﺎﺕِ ﺍﻟْﻤُﺰَﻳَّﻨَﺔِ ﻭَﻏَﺎﻳَﺔِ ﻛَﻤَﺎﻝِ ﺍﻻﺎِﻣْﺘِﻴَﺎﺯِ ﻭَ ﺍﻻﺎِﺗِّﺰَﺍﻥِ ﻭَ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡِ ﻭَ ﺍﻻﺎِﺗِّﻘَﺎﻥِ ﻭَ ﺍﻟﺴُّﻬُﻮﻟَﺔِ ﺍﻟْﻤُﻄْﻠَﻘَﺔِ ﺷَﺎﻫِﺪَﺍﺕٌ ﻋَﻠٰﻰ ﺍِﺣَﺎﻃَﺔِ ﻋِﻠْﻢِ ﻋَﻼَﺎﻡِ ﺍﻟْﻐُﻴُﻮﺏِ ﺑِﻜُﻞِّ ﺷَﻲْﺀٍ ﻭَ ﺍَﻥَّ ﺍٰﻳَﺔَ ﴾ﺍَﻻﺎ ﻳَﻌْﻠَﻢُ ﻣَﻦْ ﺧَﻠَﻖَ ﻭَ ﻫُﻮَ ﺍﻟﻠَّﻄِﻴﻒُ ﺍﻟْﺨَﺒِﻴﺮُ﴿ ﺗَﺪُﻝُّ ﻋَﻠٰﻰ ﺍَﻥَّ ﺍﻟْﻮُﺟُﻮﺩَ ﻓِﻰ ﺍﻟﺸَّﻲْﺀِ ﻳَﺴْﺘَﻠْﺰِﻡُ ﺍﻟْﻌِﻠْﻢَ ﺑِﻪِ ﻭَ ﻧُﻮﺭَ ﺍﻟْﻮُﺟُﻮﺩِ ﻓِﻰ ﺍﻻﺎَﺷْﻴَﺎﺀِ ﻳَﺴْﺘَﻠْﺰِﻡُ ﻧُﻮﺭَ ﺍﻟْﻌِﻠْﻢِ ﻓِﻴﻬَﺎ ﻓَﻨِﺴْﺒَﺔُ ﺩَﻻﺎﻟَﺔِ ﺣُﺴْﻦِ ﺻَﻨْﻌَﺔِ ﺍﻻﺎِﻧْﺴَﺎﻥِ ﻋَﻠٰﻰ ﺷُﻌُﻮﺭِﻩِ ﺍِﻟٰﻰ ﻧِﺴْﺒَﺔِ ﺩَﻻﺎﻟَﺔِ ﺧِﻠْﻘَﺔِ ﺍﻻﺎِﻧْﺴَﺎﻥِ ﻋَﻠٰﻰ ﻋِﻠْﻢِ ﺧَﺎﻟِﻘِﻪِ ﻛَﻨِﺴْﺒَﺔِ ﻟُﻤَﻴْﻌَﺔِ ﻧُﺠَﻴْﻤَﺔِ ﺍﻟﺬُّﺑَﻴْﺒَﺔِ ﻓِﻰ ﺍﻟﻠَّﻴْﻠَﺔِ ﺍﻟﺪَّﻫْﻤَﺎﺀِ ﺍِﻟٰﻰ ﺷَﻌْﺸَﻌَﺔِ ﺍﻟﺸَّﻤْﺲِ ﻓِﻰ ﻧِﺼْﻒِ ﺍﻟﻨَّﻬَﺎﺭِ ﻋَﻠٰﻰ ﻭَﺟْﻪِ ﺍﻟْﻐَﺒْﺮَﺍﺀِ ﻭَ ﻛَﻤَﺎ ﺍَﻧَّﻪُ ﻋَﻠِﻴﻢٌ ﺑِﻜُﻞِّ ﺷَﻲْﺀٍ ﻓَﻬُﻮَ ﻣُﺮِﻳﺪٌ ﻟِﻜُﻞِّ ﺷَﻲْﺀٍ ﻻﺎ ﻳُﻤْﻜِﻦُ ﺍَﻥْ ﻳَﺘَﺤَﻘَّﻖَ ﺷَﻲْﺀٌ ﺑِﺪُﻭﻥِ ﻣَﺸِﻴَّﺘِﻪِ ﻭَ ﻛَﻤَﺎ ﺍَﻥَّ ﺍﻟْﻘُﺪْﺭَﺓَ ﺗَُﺜِّﺮُ ﻭَ ﺍَﻥَّ ﺍﻟْﻌِﻠْﻢَ ﻳُﻤَﻴِّﺰُ ﻛَﺬٰﻟِﻚَ ﺍَﻥَّ ﺍﻻﺎِﺭَﺍﺩَﺓَ ﺗُﺨَﺼِّﺺُ ﺛُﻢَّ ﻳَﺘَﺤَﻘَّﻖُ ﻭُﺟُﻮﺩُ ﺍﻻﺎَﺷْﻴَﺎﺀِ ﻓَﺎﻟﺸَّﻮَﺍﻫِﺪُ ﻋَﻠٰﻰ ﻭُﺟُﻮﺩِ ﺍِﺭَﺍﺩَﺗِﻪِ ﺗَﻌَﺎﻟٰﻰ ﻭَ ﺍِﺧْﺘِﻴَﺎﺭِﻩِ ﺳُﺒْﺤَﺎﻧَﻪُ ﺑِﻌَﺪَﺩِ ﻛَﻴْﻔِﻴَّﺎﺕِ ﺍﻻﺎَﺷْﻴَﺎﺀِ ﻭَ ﺍَﺣْﻮَﺍﻟِﻬَﺎ ﻭَ ﺷُُﻨَﺎﺗِﻬَﺎ ﻧَﻌَﻢْ ﻓَﺘَﻨْﻈِﻴﻢُ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﻭَ ﺗَﺨْﺼِﻴﺼُﻬَﺎ ﺑِﺼِﻔَﺎﺗِﻬَﺎ ﻣِﻦْ ﺑَﻴْﻦِ ﺍﻻﺎِﻣْﻜَﺎﻧَﺎﺕِ ﺍﻟْﻐَﻴْﺮِ ﺍﻟْﻤَﺤْﺪُﻭﺩَﺓِ ﻭَ ﻣِﻦْ ﺑَﻴْﻦِ ﺍﻟﻄُّﺮُﻕِ ﺍﻟْﻌَﻘِﻴﻤَﺔِ ﻭَ ﻣِﻦْ ﺑَﻴْﻦِ ﺍﻻﺎِﺣْﺘِﻤَﺎﻻﺎﺕِ ﺍﻟْﻤُﺸَﻮَّﺷَﺔِ ﻭَ ﺗَﺤْﺖَ ﺍَﻳْﺪِﻯ ﺍﻟﺴُّﻴُﻮﻝِ ﺍﻟْﻤُﺘَﺸَﺎﻛِﺴَﺔِ ﺑِﻬٰﺬَﺍ ﺍﻟﻨِّﻈَﺎﻡِ ﺍﻻﺎَﺩَﻕِّ ﺍﻻﺎَﺭَﻕِّ ﻭَ ﺗَﻮْﺯِﻳﻨُﻬَﺎ ﺑِﻬٰﺬَﺍ ﺍﻟْﻤِﻴﺰَﺍﻥِ ﺍﻟْﺤَﺴَّﺎﺱِ ﺍﻟْﺠَﺴَّﺎﺱِ ﺍﻟْﻤَﺸْﻬُﻮﺩَﻳْﻦِ ﻭَ ﺍَﻥَّ ﺧَﻠْﻖَ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﺍﻟْﻤُﺨْﺘَﻠِﻔَﺎﺕِ ﺍﻟْﻤُﻨْﺘَﻈَﻤَﺎﺕِ ﺍﻟْﺤَﻴَﻮِﻳَّﺔِ ﻣِﻦَ ﺍﻟْﺒَﺴَﺎﺋِﻂِ ﺍﻟْﺠَﺎﻣِﺪَﺓِ ﻛَﺎﻻﺎِﻧْﺴَﺎﻥِ ﺑِﺠِﻬَﺎﺯَﺍﺗِﻪِ ﻣِﻦَ ﺍﻟﻨُّﻄْﻔَﺔِ ﻭَ ﺍﻟﻄَّﻴْﺮِ ﺑِﺠَﻮَﺍﺭِﺣِﻪِ ﻣِﻦَ ﺍﻟْﺒَﻴْﻀَﺔِ ﻭَ ﺍﻟﺸَّﺠَﺮِ ﺑِﺎَﻋْﻀَﺎﺋِﻪِ ﺍﻟْﻤُﺘَﻨَﻮِّﻋَﺔِ ﻣِﻦَ ﺍﻟﻨُّﻮَﺍﺓِ ﺗَﺪُﻝُّ ﻋَﻠٰﻰ ﺍَﻥَّ ﺗَﺨَﺼُّﺺَ ﻛُﻞِّ ﺷَﻲْﺀٍ ﻭَ ﺗَﻌَﻴُّﻨَﻪُ ﺑِﺎِﺭَﺍﺩَﺗِﻪِ ﻭَ ﺍِﺧْﺘِﻴَﺎﺭِﻩِ ﻭَ ﻣَﺸِﻴَّﺘِﻪِ ﺳُﺒْﺤَﺎﻧَﻪُ ﻓَﻜَﻤَﺎ ﺍَﻥَّ ﺗَﻮَﺍﻓُﻖَ ﺍﻻﺎَﺷْﻴَﺎﺀِ ﻣِﻦْ ﺟِﻨْﺲٍ ﻭَ ﺍﻻﺎَﻓْﺮَﺍﺩِ ﻣِﻦْ ﻧَﻮْﻉٍ ﻓِﻰ ﺍَﺳَﺎﺳَﺎﺕِ ﺍﻻﺎَﻋْﻀَﺎﺀِ ﻳَﺪُﻝُّ ﺑِﺎﻟﻀَّﺮُﻭﺭَﺓِ ﻋَﻠٰﻰ ﺍَﻥَّ ﺻَﺎﻧِﻌَﻬَﺎ ﻭَﺍﺣِﺪٌ ﺍَﺣَﺪٌ ﻛَﺬٰﻟِﻚَ ﺍَﻥَّ ﺗَﻤَﺎﻳُﺰَﻫَﺎ ﻓِﻰ ﺍﻟﺘَّﺸَﺨُّﺼَﺎﺕِ ﺍﻟْﺤَﻜِﻴﻤَﺔِ ﺍﻟْﻤُﺸْﺘَﻤِﻠَﺔِ ﻋَﻠٰﻰ ﻋَﻼﺎﻣَﺎﺕٍ ﻓَﺎﺭِﻗَﺔٍ ﻣُﻨْﺘَﻈَﻤَﺔٍ ﺗَﺪُﻝُّ ﻋَﻠٰﻰ ﺍَﻥَّ ﺫٰﻟِﻚَ ﺍﻟﺼَّﺎﻧِﻊَ ﺍﻟْﻮَﺍﺣِﺪَ ﺍﻻﺎَﺣَﺪَ ﻫُﻮَ ﻓَﺎﻋِﻞٌ ﻣُﺨْﺘَﺎﺭٌ ﻣُﺮِﻳﺪٌ ﻳَﻔْﻌَﻞُ ﻣَﺎﻳَﺸَﺎﺀُ ﻭَ ﻳَﺤْﻜُﻢُ ﻣَﺎ ﻳُﺮِﻳﺪُ ﺟَﻞَّ ﺟَﻼﺎﻟُﻪُ ﻭَ ﻛَﻤَﺎ ﺍَﻥَّ ﺫٰﻟِﻚَ ﺍﻟْﺨَﻼَﺎﻕَ ﺍﻟْﻌَﻠِﻴﻢَ ﺍﻟْﻤُﺮِﻳﺪَ ﻋَﻠِﻴﻢٌ ﺑِﻜُﻞِّ ﺷَﻲْﺀٍ ﻭَ ﻣُﺮِﻳﺪٌ ﻟِﻜُﻞِّ ﺷَﻲْﺀٍ ﻟَﻪُ ﻋِﻠْﻢٌ ﻣُﺤِﻴﻂٌ ﻭَ ﺍِﺭَﺍﺩَﺓٌ ﺷَﺎﻣِﻠَﺔٌ ﻭَ ﺍِﺧْﺘِﻴَﺎﺭٌ ﺗَﺎﻡٌّ ﻛَﺬٰﻟِﻚَ ﻟَﻪُ ﻗُﺪْﺭَﺓٌ ﻛَﺎﻣِﻠَﺔٌ ﺿَﺮُﻭﺭِﻳَّﺔٌ ﺫَﺍﺗِﻴَﺔٌ ﻧَﺎﺷِﺌَﺔٌ ﻣِﻦَ ﺍﻟﺬَّﺍﺕِ ﻭَ ﻻﺎﺯِﻣَﺔٌ ﻟﻠِﺬَّﺍﺕِ ﻓَﻤُﺤَﺎﻝٌ ﺗَﺪَﺍﺧُﻞُ ﺿِﺪِّﻫَﺎ ﻭَ ﺍِﻻَﺎ ﻟَﺰِﻡَ ﺟَﻤْﻊُ ﺿِﺪَّﻳْﻦِ ﺍﻟْﻤُﺤَﺎﻝُ ﺑِﺎﻻﺎِﺗِّﻔَﺎﻕِ ﻓَﻼﺎ ﻣَﺮَﺍﺗِﺐَ ﻓِﻰ ﺗِﻠْﻚَ ﺍﻟْﻘُﺪْﺭَﺓِ ﻓَﺘَﺘَﺴَﺎﻭٰﻯ ﺑِﺎﻟﻨِّﺴْﺒَﺔِ ﺍِﻟَﻴْﻬَﺎ ﺍﻟﺬَّﺭَّﺍﺕُ ﻭَ ﺍﻟﻨُّﺠُﻮﻡُ ﻭَ ﺍﻟْﻘَﻠِﻴﻞُ ﻭَ ﺍﻟْﻜَﺜِﻴﺮُ ﻭَ ﺍﻟﺼَّﻐِﻴﺮُ ﻭَ ﺍﻟْﻜَﺒِﻴﺮُ ﻭَ ﺍﻟْﺠُﺰْﺋِﻰُّ ﻭَ ﺍﻟْﻜُﻠِّﻰُّ ﻭَ ﺍﻟْﺠُﺰْﺀُ ﻭَ ﺍﻟْﻜُﻞُّ ﻭَ ﺍﻻﺎِﻧْﺴَﺎﻥُ ﻭَ ﺍﻟْﻌَﺎﻟَﻢُ ﻭَ ﺍﻟﻨُّﻮَﺍﺓُ ﻭَ ﺍﻟﺸَّﺠَﺮُ ﺑِﺴِﺮِّ ﺍﻟﻨُّﻮﺭَﺍﻧِﻴَّﺔِ ﻭَ ﺍﻟﺸَّﻔَّﺎﻓِﻴَّﺔِ ﻭَ ﺍﻟْﻤُﻘَﺎﺑَﻠَﺔِ ﻭَ ﺍﻟْﻤُﻮَﺍﺯَﻧَﺔِ ﻭَ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡِ ﻭَ ﺍﻻﺎِﻣْﺘِﺜَﺎﻝِ ﺑِﺸَﻬَﺎﺩَﺓِ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡِ ﺍﻟْﻤُﻄْﻠَﻖِ ﻭَ ﺍﻻﺎِﺗِّﺰَﺍﻥِ ﺍﻟْﻤُﻄْﻠَﻖِ ﻭَ ﺍﻻﺎِﻣْﺘِﻴَﺎﺯِ ﺍﻟْﻤُﻄْﻠَﻖِ ﻓِﻰ ﺍﻟﺴُّﺮْﻋَﺔِ ﻭَ ﺍﻟﺴُّﻬُﻮﻟَﺔِ ﻭَ ﺍﻟْﻜَﺜْﺮَﺓِ ﺍﻟْﻤُﻄْﻠَﻘَﺎﺕِ ﺑِﺴِﺮِّ ﺍِﻣْﺪَﺍﺩِ ﺍﻟْﻮَﺍﺣِﺪِﻳَّﺔِ ﻭَ ﻳُﺴْﺮِ ﺍﻟْﻮَﺣْﺪَﺓِ ﻭَ ﺗَﺠَﻠِّﻰ ﺍﻻﺎَﺣَﺪِﻳَّﺔِ ﻭَ ﺑِﺤِﻜْﻤَﺔِ ﺍﻟْﻮُﺟُﻮﺏِ ﻭَ ﺍﻟﺘَّﺠَﺮُّﺩِ ﻭَ ﻣُﺒَﺎﻳَﻨَﺔِ ﺍﻟْﻤَﺎﻫِﻴَّﺔِ ﻭَ ﺑِﺴِﺮِّ ﻋَﺪَﻡِ ﺍﻟﺘَّﻘَﻴُّﺪِ ﻭَ ﻋَﺪَﻡِ ﺍﻟﺘَّﺤَﻴُّﺰِ ﻭَ ﻋَﺪَﻡِ ﺍﻟﺘَّﺠَﺰِّﻯ ﻭَ ﺑِﺤِﻜْﻤَﺔِ ﺍِﻧْﻘِﻼﺎﺏِ ﺍﻟْﻌَﻮَﺍﺋِﻖِ ﻭَ ﺍﻟْﻤَﻮَﺍﻧِﻊِ ﺍِﻟَﻰ ﺍﻟْﻮَﺳَﺎﺋِﻞِ ﻓِﻰ ﺍﻟﺘَّﺴْﻬِﻴﻞِ ﺍِﻥْ ﺍُﺣْﺘِﻴﺞَ ﺍِﻟَﻴْﻪِ ﻭَ ﺍﻟْﺤَﺎﻝُ ﺍَﻧَّﻪُ ﻻﺎ ﺍِﺣْﺘِﻴَﺎﺝَ ﻛَﺎَﻋْﺼَﺎﺏِ ﺍﻻﺎِﻧْﺴَﺎﻥِ ﻭَ ﺍﻟْﺨُﻄُﻮﻁِ ﺍﻟْﺤَﺪِﻳﺪِﻳَّﺔِ ﻟِﻨَﻘْﻞِ ﺍﻟﺴَّﻴَّﺎﻻﺎﺕِ ﺍﻟﻠَّﻄِﻴﻔَﺔِ ﺑِﺤِﻜْﻤَﺔِ ﺍَﻥَّ ﺍﻟﺬَّﺭَّﺓَ ﻭَ ﺍﻟْﺠُﺰْﺀَ ﻭَ ﺍﻟْﺠُﺰْﺋِﻰَّ ﻭَ ﺍﻟْﻘَﻠِﻴﻞَ ﻭَ ﺍﻟﺼَّﻐِﻴﺮَ ﻭَ ﺍﻻﺎِﻧْﺴَﺎﻥَ ﻭَ ﺍﻟﻨُّﻮَﺍﺓَ ﻟَﻴْﺴَﺖْ ﺑِﺎَﻗَﻞَّ ﺟَﺰَﺍﻟَﺔً ﻣِﻦَ ﺍﻟﻨَّﺠْﻢِ ﻭَ ﺍﻟﻨَّﻮْﻉِ ﻭَ ﺍﻟْﻜُﻞِّ ﻭَ ﺍﻟْﻜُﻠِّﻰِّ ﻭَ ﺍﻟْﻜَﺜِﻴﺮِ ﻭَ ﺍﻟْﻜَﺒِﻴﺮِ ﻭَ ﺍﻟْﻌَﺎﻟَﻢِ ﻭَ ﺍﻟﺸَّﺠَﺮِ ﻓَﻤَﻦْ ﺧَﻠَﻖَ ﻫُٰﻼﺎﺀِ ﻻﺎ ﻳُﺴْﺘَﺒْﻌَﺪُ ﻣِﻨْﻪُ ﺧَﻠْﻖُ ﻫٰﺬِﻩِ ﺍِﺫِ ﺍﻟْﻤُﺤَﺎﻃَﺎﺕُ ﻛَﺎﻻﺎَﻣْﺜِﻠَﺔِ ﺍﻟْﻤَﻜْﺘُﻮﺑَﺔِ ﺍﻟْﻤُﺼَﻐَّﺮَﺓِ ﺍَﻭْ ﻛَﺎﻟﻨُّﻘَﻂِ ﺍﻟْﻤَﺤْﻠُﻮﺑَﺔِ ﺍﻟْﻤُﻌَﺼَّﺮَﺓِ ﻓَﻼﺎ ﺑُﺪَّ ﺑِﺎﻟﻀَّﺮُﻭﺭَﺓِ ﺍَﻥْ ﻳَﻜُﻮﻥَ ﺍﻟْﻤُﺤِﻴﻂُ ﻓِﻰ ﻗَﺒْﻀَﺔِ ﺗَﺼَﺮُّﻑِ ﺧَﺎﻟِﻖِ ﺍﻟْﻤُﺤَﺎﻁِ ﻟِﻴُﺪْﺭِﺝَ ﻣِﺜَﺎﻝَ ﺍﻟْﻤُﺤِﻴﻂِ ﻓِﻰ ﺍﻟْﻤُﺤَﺎﻃَﺎﺕِ ﺑِﺪَﺳَﺎﺗِﻴﺮِ ﻋِﻠْﻤِﻪِ ﻭَ ﺍَﻥْ ﻳَﻌْﺼُﺮَﻫَﺎ ﻣِﻨْﻪُ ﺑِﻤَﻮَﺍﺯِﻳﻦِ ﺣِﻜْﻤَﺘِﻪِ ﻓَﺎﻟْﻘُﺪْﺭَﺓُ ﺍﻟَّﺘِﻰ ﺍَﺑْﺮَﺯَﺕْ ﻫَﺎﺗِﻴﻚَ ﺍﻟْﺠُﺰْﺋِﻴَّﺎﺕِ ﻻﺎ ﻳَﺘَﻌَﺴَّﺮُ ﻋَﻠَﻴْﻬَﺎ ﺍِﺑْﺮَﺍﺯُ ﺗَﺎﻙَ ﺍﻟْﻜُﻠِّﻴَّﺎﺕِ ﻓَﻜَﻤَﺎ ﺍَﻥَّ ﻧُﺴْﺨَﺔَ ﻗُﺮْﺍٰﻥِ ﺍﻟْﺤِﻜْﻤَﺔِ ﺍﻟْﻤَﻜْﺘُﻮﺑَﺔِ ﻋَﻠَﻰ ﺍﻟْﺠَﻮْﻫَﺮِ ﺍﻟْﻔَﺮْﺩِ ﺑِﺬَﺭَّﺍﺕِ ﺍﻻﺎَﺛِﻴﺮِ ﻟَﻴْﺴَﺖْ ﺑِﺎَﻗَﻞَّ ﺟَﺰَﺍﻟَﺔً ﻣِﻦْ ﻧُﺴْﺨَﺔِ ﻗُﺮْﺍٰﻥِ ﺍﻟْﻌَﻈَﻤَﺔِ ﺍﻟْﻤَﻜْﺘُﻮﺑَﺔِ ﻋَﻠٰﻰ ﺻَﺤَﺎﺋِﻒِ ﺍﻟﺴَّﻤٰﻮَﺍﺕِ ﺑِﻤِﺪَﺍﺩِ ﺍﻟﻨُّﺠُﻮﻡِ ﻭَ ﺍﻟﺸُّﻤُﻮﺱِ ﻛَﺬٰﻟِﻚَ ﻟَﻴْﺴَﺖْ ﺧِﻠْﻘَﺔُ ﻧَﺤْﻠَﺔٍ ﻭَ ﻧَﻤْﻠَﺔٍ ﺑِﺎَﻗَﻞَّ ﺟَﺰَﺍﻟَﺔً ﻣِﻦْ ﺧِﻠْﻘَﺔِ ﺍﻟﻨَّﺨْﻠَﺔِ ﻭَ ﺍﻟْﻔِﻴﻞِ ﻭَ ﻻﺎ ﺻَﻨْﻌَﺔُ ﻭَﺭْﺩِ ﺍﻟﺰُّﻫْﺮَﺓِ ﺑِﺎَﻗَﻞَّ ﺟَﺰَﺍﻟَﺔً ﻣِﻦْ ﺻَﻨْﻌَﺔِ ﺩُﺭِّﻯِّ ﻧَﺠْﻢِ ﺍﻟﺰُّﻫْﺮَﺓِ ﻭَ ﻫٰﻜَﺬَﺍ ﻓَﻘِﺲْ ﻓَﻜَﻤَﺎ ﺍَﻥَّ ﻏَﺎﻳَﺔَ ﻛَﻤَﺎﻝِ ﺍﻟﺴُّﻬُﻮﻟَﺔِ ﻓِﻰ ﺍِﻳﺠَﺎﺩِ ﺍﻻﺎَﺷْﻴَﺎﺀِ ﺍَﻭْﻗَﻌَﺖْ ﺍَﻫْﻞَ ﺍﻟﻀَّﻼﺎﻟَﺔِ ﻓِﻰ ﺍِﻟْﺘِﺒَﺎﺱِ ﺍﻟﺘَّﺸْﻜِﻴﻞِ ﺑِﺎﻟﺘَّﺸَﻜُّﻞِ ﺍﻟْﻤُﺴْﺘَﻠْﺰِﻡِ ﻟِﻠْﻤُﺤَﺎﻻﺎﺕِ ﺍﻟْﺨُﺮَﺍﻓِﻴَّﺔِ ﺍﻟَّﺘِﻰ ﺗَﻤُﺠُّﻬَﺎ ﺍﻟْﻌُﻘُﻮﻝُ ﺑَﻞْ ﺗَﺘَﻨَﻔَّﺮُ ﻋَﻨْﻬَﺎ ﺍﻻﺎَﻭْﻫَﺎﻡُ ﻛَﺬٰﻟِﻚَ ﺍَﺛْﺒَﺘَﺖْ ﺑِﺎﻟْﻘَﻄْﻊِ ﻭَ ﺍﻟﻀَّﺮُﻭﺭَﺓِ ﻻﺎَﻫْﻞِ ﺍﻟْﺤَﻖِّ ﻭَ ﺍﻟْﺤَﻘِﻴﻘَﺔِ ﺗَﺴَﺎﻭِﻯَ ﺍﻟﺴَّﻴَّﺎﺭَﺍﺕِ ﻣَﻊَ ﺍﻟﺬَّﺭَّﺍﺕِ ﺑِﺎﻟﻨِّﺴْﺒَﺔِ ﺍِﻟٰﻰ ﻗُﺪْﺭَﺓِ ﺧَﺎﻟِﻖِ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﺟَﻞَّ ﺟَﻼﺎﻟُﻪُ ﻭَ ﻋَﻈُﻢَ ﺷَﺎﻧُﻪُ ﻭَ ﻻﺎﺍِﻟٰﻪَ ﺍِﻻَﺎ ﻫُﻮَ ﺍَﻟْﻤَﺮْﺗَﺒَﺔُ ﺍﻟﺴَّﺎﺩِﺳَﺔُ ﺟَﻞَّ ﺟَﻼﺎﻟُﻪُ ﻭَ ﻋَﻈُﻢَ ﺷَﺎﻧُﻪُ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ ﻣِﻦْ ﻛُﻞِّ ﺷَﻲْﺀٍ ﻗُﺪْﺭَﺓً ﻭَ ﻋِﻠْﻤًﺎ ﺍِﺫْ ﻫُﻮَ ﺍﻟْﻌَﺎﺩِﻝُ ﺍﻟْﺤَﻜِﻴﻢُ ﺍﻟْﻘَﺎﺩِﺭُ ﺍﻟْﻌَﻠِﻴﻢُ ﺍﻟْﻮَﺍﺣِﺪُ ﺍﻻﺎَﺣَﺪُ ﺍﻟﺴُّﻠْﻄَﺎﻥُ ﺍﻻﺎَﺯَﻟِﻰُّ ﺍﻟَّﺬِﻯ ﻫٰﺬِﻩِ ﺍﻟْﻌَﻮَﺍﻟِﻢُ ﻛُﻠُّﻬَﺎ ﻓِﻰ ﺗَﺼَﺮُّﻑِ ﻗَﺒْﻀَﺘَﻰْ ﻧِﻈَﺎﻣِﻪِ ﻭَ ﻣِﻴﺰَﺍﻧِﻪِ ﻭَ ﺗَﻨْﻈِﻴﻤِﻪِ ﻭَ ﺗَﻮْﺯِﻳﻨِﻪِ ﻭَ ﻋَﺪْﻟِﻪِ ﻭَ ﺣِﻜْﻤَﺘِﻪِ ﻭَ ﻋِﻠْﻤِﻪِ ﻭَ ﻗُﺪْﺭَﺗِﻪِ ﻭَ ﻣَﻈْﻬَﺮُ ﺳِﺮِّ ﻭَﺍﺣِﺪِﻳَّﺘِﻪِ ﻭَ ﺍَﺣَﺪِﻳَّﺘِﻪِ ﺑِﺎﻟْﺤَﺪْﺱِ ﺍﻟﺸُّﻬُﻮﺩِﻯِّ ﺑَﻞْ ﺑِﺎﻟْﻤُﺸَﺎﻫَﺪَﺓِ ﺍِﺫْ ﻻﺎ ﺧَﺎﺭِﺝَ ﻓِﻰ ﺍﻟْﻜَﻮْﻥِ ﻣِﻦْ ﺩَﺍﺋِﺮَﺓِ ﺍﻟﻨِّﻈَﺎﻡِ ﻭَ ﺍﻟْﻤِﻴﺰَﺍﻥِ ﻭَ ﺍﻟﺘَّﻨْﻈِﻴﻢِ ﻭَ ﺍﻟﺘَّﻮْﺯِﻳﻦِ ﻭَ ﻫُﻤَﺎ ﺑَﺎﺑَﺎﻥِ ﻣِﻦَ ﺍﻻﺎِﻣَﺎﻡِ ﺍﻟْﻤُﺒِﻴﻦِ ﻭَ ﺍﻟْﻜِﺘَﺎﺏِ ﺍﻟْﻤُﺒِﻴﻦِ ﻭَ ﻫُﻤَﺎ ﻋُﻨْﻮَﺍﻧَﺎﻥِ ﻟِﻌِﻠْﻢِ ﺍﻟْﻌَﻠِﻴﻢِ ﺍﻟْﺤَﻜِﻴﻢِ ﻭَ ﺍَﻣْﺮِﻩِ ﻭَ ﻗُﺪْﺭَﺓِ ﺍﻟْﻌَﺰِﻳﺰِ ﺍﻟﺮَّﺣِﻴﻢِ ﻭَ ﺍِﺭَﺍﺩَﺗِﻪِ ﻓَﺬٰﻟِﻚَ ﺍﻟﻨِّﻈَﺎﻡُ ﻣَﻊَ ﺫٰﻟِﻚَ ﺍﻟْﻤِﻴﺰَﺍﻥِ ﻓِﻰ ﺫٰﻟِﻚَ ﺍﻟْﻜِﺘَﺎﺏِ ﻣَﻊَ ﺫٰﻟِﻚَ ﺍﻻﺎِﻣَﺎﻡِ ﺑُﺮْﻫَﺎﻧَﺎﻥِ ﻧَﻴِّﺮَﺍﻥِ ﻟِﻤَﻦْ ﻟَﻪُ ﻓِﻰ ﺭَﺍْﺳِﻪِ ﺍِﺫْﻋَﺎﻥٌ ﻭَ ﻓِﻰ ﻭَﺟْﻬِﻪِ ﺍﻟْﻌَﻴْﻨَﺎﻥِ ﺍَﻥْ ﻻﺎ ﺷَﻲْﺀَ ﻣِﻦَ ﺍﻻﺎَﺷْﻴَﺎﺀِ ﻓِﻰ ﺍﻟْﻜَﻮْﻥِ ﻭَ ﺍﻟﺰَّﻣَﺎﻥِ ﻳَﺨْﺮُﺝُ ﻣِﻦْ ﻗَﺒْﻀَﺔِ ﺗَﺼَﺮُّﻑِ ﺭَﺣْﻤٰﻦٍ ﻭَ ﺗَﻨْﻈِﻴﻢِ ﺣَﻨَّﺎﻥٍ ﻭَ ﺗَﺰْﻳِﻴﻦِ ﻣَﻨَّﺎﻥٍ ﻭَ ﺗَﻮْﺯِﻳﻦِ ﺩَﻳَّﺎﻥٍ {():Bu Mertebe-i Sâdise, sair mertebeler gibi yazılsaydı pek çok uzun olacaktı. Çünki İmam-ı Mübin, Kitab-ı Mübin kısa ifade ile beyan edilemez. Otuzuncu Söz'de bir nebze zikredildiğinden burada kitabeten kısa kesip, derste izahat verdik.} ﺍَﻟْﺤَﺎﺻِﻞُ ﺍِﻥَّ ﺗَﺠَﻠِّﻰ ﺍﻻﺎِﺳْﻢِ ﺍﻻﺎَﻭَّﻝِ ﻭَ ﺍﻻﺎٰﺧِﺮِ ﻓِﻰ ﺍﻟْﺨَﻼَﺎﻗِﻴَّﺔِ ﺍﻟﻨَّﺎﻇِﺮَﻳْﻦِ ﺍِﻟَﻰ ﺍﻟْﻤَﺒْﺪَﺍِ ﻭَ ﺍﻟْﻤُﻨْﺘَﻬٰﻰ ﻭَ ﺍﻻﺎَﺻْﻞِ ﻭَ ﺍﻟﻨَّﺴْﻞِ ﻭَ ﺍﻟْﻤَﺎﺿِﻰ ﻭَ ﺍﻟْﻤُﺴْﺘَﻘْﺒَﻞِ ﻭَ ﺍﻻﺎَﻣْﺮِ ﻭَ ﺍﻟْﻌِﻠْﻢِ ﺍﻟْﻤُﺸِﻴﺮَﺍﻥِ ﺍِﻟَﻰ ﺍﻻﺎِﻣَﺎﻡِ ﺍﻟْﻤُﺒِﻴﻦِ ﻭَ ﺗَﺠَﻠِّﻰ ﺍﻻﺎِﺳْﻢِ ﺍﻟﻈَّﺎﻫِﺮِ ﻭَ ﺍﻟْﺒَﺎﻃِﻦِ ﻋَﻠَﻰ ﺍﻻﺎَﺷْﻴَﺎﺀِ ﻓِﻰ ﺿِﻤْﻦِ ﺍﻟْﺨَﻼَﺎﻗِﻴَّﺔِ ﻳُﺸِﻴﺮَﺍﻥِ ﺍِﻟَﻰ ﺍﻟْﻜِﺘَﺎﺏِ ﺍﻟْﻤُﺒِﻴﻦِ ﻓَﺎﻟْﻜَﺎﺋِﻨَﺎﺕُ ﻛَﺸَﺠَﺮَﺓٍ ﻋَﻈِﻴﻤَﺔٍ ﻭَ ﻛُﻞُّ ﻋَﺎﻟَﻢٍ ﻣِﻨْﻬَﺎ ﺍَﻳْﻀًﺎ ﻛَﺎﻟﺸَّﺠَﺮَﺓِ ﻓَﻨُﻤَﺜِّﻞُ ﺷَﺠَﺮَﺓً ﺟُﺰْﺋِﻴَّﺔً ﻟِﺨِﻠْﻘَﺔِ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﻭَ ﺍَﻧْﻮَﺍﻋِﻬَﺎ ﻭَ ﻋَﻮَﺍﻟِﻤِﻬَﺎ ﻭَ ﻫٰﺬِﻩِ ﺍﻟﺸَّﺠَﺮَﺓُ ﺍﻟْﺠُﺰْﺋِﻴَّﺔُ ﻟَﻬَﺎ ﺍَﺻْﻞٌ ﻭَ ﻣَﺒْﺪَﺍٌ ﻭَ ﻫُﻮَ ﺍﻟﻨُّﻮَﺍﺓُ ﺍﻟَّﺘِﻰ ﺗَﻨْﺒُﺖُ ﻋَﻠَﻴْﻬَﺎ ﻭَ ﻛَﺬَﺍ ﻟَﻬَﺎ ﻧَﺴْﻞٌ ﻳُﺪِﻳﻢُ ﻭَﻇِﻴﻔَﺘَﻬَﺎ ﺑَﻌْﺪَ ﻣَﻮْﺗِﻬَﺎ ﻭَ ﻫُﻮَ ﺍﻟﻨُّﻮَﺍﺓُ ﻓِﻰ ﺛَﻤَﺮَﺍﺗِﻬَﺎ ﻓَﺎﻟْﻤَﺒْﺪَﺍُ ﻭَ ﺍﻟْﻤُﻨْﺘَﻬٰﻰ ﻣَﻈْﻬَﺮَﺍﻥِ ﻟِﺘَﺠَﻠِّﻰ ﺍﻻﺎِﺳْﻢِ ﺍﻻﺎَﻭَّﻝِ ﻭَ ﺍﻻﺎٰﺧِﺮِ ﻓَﻜَﺎَﻥَّ ﺍﻟْﻤَﺒْﺪَﺍَ ﻭَ ﺍﻟﻨُّﻮَﺍﺓَ ﺍﻻﺎَﺻْﻠِﻴَّﺔَ ﺑِﻜَﻤَﺎﻝِ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡِ ﻭَ ﺍﻟْﺤِﻜْﻤَﺔِ ﻓِﻬْﺮِﺳْﺘَﺔٌ ﻭَ ﺗَﻌْﺮِﻓَﺔٌ ﻣُﺮَﻛَّﺒَﺔٌ ﻣِﻦْ ﻣَﺠْﻤُﻮﻉِ ﺩَﺳَﺎﺗِﻴﺮِ ﺗَﺸَﻜُّﻞِ ﺍﻟﺸَّﺠَﺮَﺓِ ﻭَ ﺍﻟﻨُّﻮَﺍﺗَﺎﺕُ ﻓِﻰ ﺛَﻤَﺮَﺍﺗِﻬَﺎ ﺍﻟَّﺘِﻰ ﻓِﻰ ﻧِﻬَﺎﻳَﺎﺗِﻬَﺎ ﻣَﻈْﻬَﺮٌ ﻟِﺘَﺠَﻠِّﻰ ﺍﻻﺎِﺳْﻢِ ﺍﻻﺎٰﺧِﺮِ ﻓَﺘِﻠْﻚَ ﺍﻟﻨُّﻮَﺍﺗَﺎﺕُ ﻓِﻰ ﺍﻟﺜَّﻤَﺮَﺍﺕِ ﺑِﻜَﻤَﺎﻝِ ﺍﻟْﺤِﻜْﻤَﺔِ ﻛَﺎَﻧَّﻬَﺎ ﺻُﻨَﻴْﺪِﻗَﺎﺕٌ ﺻَﻐِﻴﺮَﺓٌ ﺍُﻭﺩِﻋَﺖْ ﻓِﻴﻬَﺎ ﻓِﻬْﺮِﺳْﺘَﺔٌ ﻭَ ﺗَﻌْﺮِﻓَﺔٌ ﻟِﺘَﺸَﻜُّﻞِ ﻣَﺎ ﻳُﺸَﺎﺑِﻪُ ﺗِﻠْﻚَ ﺍﻟﺸَّﺠَﺮَﺓَ ﻭَ ﻛَﺎَﻧَّﻬَﺎ ﻛُﺘِﺐَ ﻓِﻴﻬَﺎ ﺑِﻘَﻠَﻢِ ﺍﻟْﻘَﺪَﺭِ ﺩَﺳَﺎﺗِﻴﺮُ ﺗَﺸَﻜُّﻞِ ﺷَﺠَﺮَﺍﺕٍ ﺍٰﺗِﻴَﺔٍ ﻭَ ﻇَﺎﻫِﺮُ ﺍﻟﺸَّﺠَﺮَﺓِ ﻣَﻈْﻬَﺮٌ ﻟِﺘَﺠَﻠِّﻰ ﺍﻻﺎِﺳْﻢِ ﺍﻟﻈَّﺎﻫِﺮِ ﻓَﻈَﺎﻫِﺮُﻫَﺎ ﺑِﻜَﻤَﺎﻝِ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡِ ﻭَ ﺍﻟﺘَّﺰْﻳِﻴﻦِ ﻭَ ﺍﻟْﺤِﻜْﻤَﺔِ ﻛَﺎَﻧَّﻬَﺎ ﺣُﻠَّﺔٌ ﻣُﻨْﺘَﻈَﻤَﺔٌ ﻣُﺰَﻳَّﻨَﺔٌ ﻣُﺮَﺻَّﻌَﺔٌ ﻗَﺪْ ﻗُﺪَّﺕْ ﻋَﻠٰﻰ ﻣِﻘْﺪَﺍﺭِ ﻗَﺎﻣَﺘِﻬَﺎ ﺑِﻜَﻤَﺎﻝِ ﺍﻟْﺤِﻜْﻤَﺔِ ﻭَ ﺍﻟْﻌِﻨَﺎﻳَﺔِ ﻭَ ﺑَﺎﻃِﻦُ ﺗِﻠْﻚَ ﺍﻟﺸَّﺠَﺮَﺓِ ﻣَﻈْﻬَﺮٌ ﻟِﺘَﺠَﻠِّﻰ ﺍﻻﺎِﺳْﻢِ ﺍﻟْﺒَﺎﻃِﻦِ ﻓَﺒِﻜَﻤَﺎﻝِ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡِ ﻭَ ﺍﻟﺘَّﺪْﺑِﻴﺮِ ﺍﻟْﻤُﺤَﻴِّﺮِ ﻟِﻠْﻌُﻘُﻮﻝِ ﻭَ ﺗَﻮْﺯِﻳﻊِ ﻣَﻮَﺍﺩِّ ﺍﻟْﺤَﻴَﺎﺓِ ﺍِﻟَﻰ ﺍﻻﺎَﻋْﻀَﺎﺀِ ﺍﻟْﻤُﺨْﺘَﻠِﻔَﺔِ ﺑِﻜَﻤﺎَﻝِ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡِ ﻛَﺎَﻥَّ ﺑَﺎﻃِﻦَ ﺗِﻠْﻚَ ﺍﻟﺸَّﺠَﺮَﺓِ ﻣَﺎﻛِﻴﻨَﺔٌ ﺧَﺎﺭِﻗَﺔٌ ﻓِﻰ ﻏَﺎﻳَﺔِ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡِ ﻭَ ﺍﻻﺎِﺗِّﺰَﺍﻥِ ﻓَﻜَﻤَﺎ ﺍَﻥَّ ﺍَﻭَّﻟَﻬَﺎ ﺗَﻌْﺮِﻓَﺔٌ ﻋَﺠِﻴﺒَﺔٌ ﻭَ ﺍٰﺧِﺮَﻫَﺎ ﻓِﻬْﺮِﺳْﺘَﺔٌ ﺧَﺎﺭِﻗَﺔٌ ﻳُﺸِﻴﺮَﺍﻥِ ﺍِﻟَﻰ ﺍﻻﺎِﻣَﺎﻡِ ﺍﻟْﻤُﺒِﻴﻦِ ﻛَﺬٰﻟِﻚَ ﺍِﻥَّ ﻇَﺎﻫِﺮَﻫَﺎ ﻛَﺤُﻠَّﺔٍ ﻋَﺠِﻴﺒَﺔِ ﺍﻟﺼَّﻨْﻌَﺔِ ﻭَ ﺑَﺎﻃِﻨَﻬَﺎ ﻛَﻤَﺎﻛِﻴﻨَﺔٍ ﻓِﻰ ﻏَﺎﻳَﺔِ ﺍﻻﺎِﻧْﺘِﻈَﺎﻡِ ﺗُﺸِﻴﺮَﺍﻥِ ﺍِﻟَﻰ ﺍﻟْﻜِﺘَﺎﺏِ ﺍﻟْﻤُﺒِﻴﻦِ ﻓَﻜَﻤَﺎ ﺍَﻥَّ ﺍﻟْﻘُﻮَﺍﺕِ ﺍﻟْﺤَﺎﻓِﻈَﺎﺕِ ﻓِﻰ ﺍﻻﺎِﻧْﺴَﺎﻥِ ﺗُﺸِﻴﺮُ ﺍِﻟَﻰ ﺍﻟﻠَّﻮْﺡِ ﺍﻟْﻤَﺤْﻔُﻮﻅِ ﻭَ ﺗَﺪُﻝُّ ﻋَﻠَﻴْﻪِ ﻛَﺬٰﻟِﻚَ ﺍَﻥَّ ﺍﻟﻨُّﻮَﺍﺗَﺎﺕِ ﺍﻻﺎَﺻْﻠِﻴَّﺔَ ﻭَ ﺍﻟﺜَّﻤَﺮَﺍﺕِ ﺗُﺸِﻴﺮَﺍﻥِ ﻓِﻰ ﻛُﻞِّ ﺷَﺠَﺮَﺓٍ ﺍِﻟَﻰ ﺍﻻﺎِﻣَﺎﻡِ ﺍﻟْﻤُﺒِﻴﻦِ ﻭَﺍﻟﻈَّﺎﻫِﺮُ ﻭَ ﺍﻟْﺒَﺎﻃِﻦُ ﻳَﺮْﻣُﺰَﺍﻥِ ﺍِﻟَﻰ ﺍﻟْﻜِﺘَﺎﺏِ ﺍﻟْﻤُﺒِﻴﻦِ ﻓَﻘِﺲْ ﻋَﻠٰﻰ ﻫٰﺬِﻩِ ﺍﻟﺸَّﺠَﺮَﺓِ ﺍﻟْﺠُﺰْﺋِﻴَّﺔِ ﺷَﺠَﺮَﺓَ ﺍﻻﺎَﺭْﺽِ ﺑِﻤَﺎﺿِﻴﻬَﺎ ﻭَ ﻣُﺴْﺘَﻘْﺒَﻠِﻬَﺎ ﻭَ ﺷَﺠَﺮَﺓَ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕِ ﺑِﺎَﻭَﺍﺋِﻠِﻬَﺎ ﻭَ ﺍٰﺗِﻴﻬَﺎ ﻭَ ﺷَﺠَﺮَﺓَ ﺍﻻﺎِﻧْﺴَﺎﻥِ ﺑِﺎَﺟْﺪَﺍﺩِﻫَﺎ ﻭَ ﺍَﻧْﺴَﺎﻟِﻬَﺎ ﻭَ ﻫٰﻜَﺬَﺍ ﺟَﻞَّ ﺟَﻼﺎﻝُ ﺧَﺎﻟِﻘِﻬَﺎ ﻭَ ﻻٓﺎ ﺍِﻟٰﻪَ ﺍِﻻَﺎ ﻫُﻮَ ﻳَﺎ ﻛَﺒِﻴﺮُ ﺍَﻧْﺖَ ﺍﻟَّﺬِﻯ ﻻﺎ ﺗَﻬْﺪِﻯ ﺍﻟْﻌُﻘُﻮﻝُ ﻟِﻮَﺻْﻒِ ﻋَﻈَﻤَﺘِﻪِ ﻭَﻻﺎ ﺗَﺼِﻞُ ﺍﻻﺎَﻓْﻜَﺎﺭُ ﺍِﻟٰﻰ ﻛُﻨْﻪِ ﺟَﺒَﺮُﻭﺗِﻪِ {():Bu esma-i mübareke dürbünleri ile, mevcudattaki cilveleri altında ef'al-i İlahiye ve âsârına bakmakla, Müsemma-i Zülcelal'e intikal edilir.} ﺍَﻟْﻤَﺮْﺗَﺒَﺔُ ﺍﻟﺴَّﺎﺑِﻌَﺔُ ﺟَﻞَّ ﺟَﻼﺎﻟُﻪُ ﺍَﻟﻠّٰﻪُ ﺍَﻛْﺒَﺮُ ﻣِﻦْ ﻛُﻞِّ ﺷَﻲْﺀٍ ﻗُﺪْﺭَﺓً ﻭَ ﻋِﻠْﻤًﺎ ﺍِﺫْ ﻫُﻮَ ﺍﻟْﺨَﻼَﺎﻕُ ﺍﻟْﻔَﺘَّﺎﺡُ ﺍﻟْﻔَﻌَّﺎﻝُ ﺍﻟْﻌَﻼَﺎﻡُ ﺍﻟْﻮَﻫَّﺎﺏُ ﺍﻟْﻔَﻴَّﺎﺽُ ﺷَﻤْﺲُ ﺍﻻﺎَﺯَﻝِ ﺍﻟَّﺬِﻯ ﻫٰﺬِﻩِ ﺍﻟْﻜَﺎﺋِﻨَﺎﺕُ ﺑِﺎَﻧْﻮَﺍﻋِﻬَﺎ ﻭَ ﻣَﻮْﺟُﻮﺩَﺍﺗِﻬَﺎ ﻇِﻼﺎﻝُ ﺍَﻧْﻮَﺍﺭِﻩِ ﻭَ ﺍٰﺛَﺎﺭُ ﺍَﻓْﻌَﺎﻟِﻪِ ﻭَ ﺍَﻟْﻮَﺍﻥُ ﻧُﻘُﻮﺵِ ﺍَﻧْﻮَﺍﻉِ ﺗَﺠَﻠِّﻴَﺎﺕِ ﺍَﺳْﻤَﺎﺋِﻪِ ﻭَ ﺧُﻄُﻮﻁُ ﻗَﻠَﻢِ ﻗَﻀَﺎﺋِﻪِ ﻭَ ﻗَﺪَﺭِﻩِ ﻭَ ﻣَﺮَﺍﻳَﺎ ﺗَﺠَﻠِّﻴَﺎﺕِ ﺻِﻔَﺎﺗِﻪِ ﻭَ ﺟَﻤَﺎﻟِﻪِ ﻭَ ﺟَﻼﺎﻟﻪِ ﻭَ ﻛَﻤَﺎﻟِﻪِ ﺑِﺎِﺟْﻤَﺎﻉِ ﺍﻟﺸَّﺎﻫِﺪِ ﺍﻻﺎَﺯَﻟِﻰِّ ﺑِﺠَﻤِﻴﻊِ ﻛُﺘُﺒِﻪِ ﻭَ ﺻُﺤُﻔِﻪِ ﻭَ ﺍٰﻳَﺎﺗِﻪِ ﺍﻟﺘَّﻜْﻮِﻳﻨِﻴَّﺔِ ﻭَ ﺍﻟْﻘُﺮْﺍٰﻧِﻴَّﺔِ ﻭَ ﺑِﺎِﺟْﻤَﺎﻉِ ﺍﻻﺎَﺭْﺽِ ﻣَﻊَ ﺍﻟْﻌَﺎﻟَﻢِ ﺑِﺎِﻓْﺘِﻘَﺎﺭَﺍﺗِﻬَﺎ ﻭَ ﺍِﺣْﺘِﻴَﺎﺟَﺎﺗِﻬَﺎ ﻓِﻰ ﺫَﺍﺗِﻬَﺎ ﻭَ ﺫَﺭَّﺍﺗِﻬَﺎ ﻣَﻊَ ﺗَﻈَﺎﻫُﺮِ ﺍﻟْﻐِﻨَﺎﺀِ ﺍﻟْﻤُﻄْﻠَﻖِ ﻭَ ﺍﻟﺜَّﺮْﻭَﺓِ ﺍﻟْﻤُﻄْﻠَﻘَﺔِ ﻋَﻠَﻴْﻬَﺎ ﻭَ ﺑِﺎِﺟْﻤَﺎﻉِ ﻛُﻞِّ ﺍَﻫْﻞِ ﺍﻟﺸُّﻬُﻮﺩِ ﻣِﻦْ ﺫَﻭِﻯ ﺍﻻﺎَﺭْﻭَﺍﺡِ ﺍﻟﻨَّﻴِّﺮَﺓِ ﻭَ ﺍﻟْﻘُﻠُﻮﺏِ ﺍﻟْﻤُﻨَﻮَّﺭَﺓِ ﻭَ ﺍﻟْﻌُﻘُﻮﻝِ ﺍﻟﻨُّﻮﺭَﺍﻧِﻴَّﺔِ ﻣِﻦَ ﺍﻻﺎَﻧْﺒِﻴَﺎﺀِ ﻭَ ﺍﻻﺎَﻭْﻟِﻴَﺎﺀِ ﻭَ ﺍﻻﺎَﺻْﻔِﻴَﺎﺀِ ﺑِﺠَﻤِﻴﻊِ ﺗَﺤْﻘِﻴﻘَﺎﺗِﻬِﻢْ ﻭَ ﻛُﺸُﻮﻓَﺎﺗِﻬِﻢْ ﻭَ ﻓُﻴُﻮﺿَﺎﺗِﻬِﻢْ ﻭَ ﻣُﻨَﺎﺟَﺎﺗِﻬِﻢْ ﻗَﺪْ ﺍِﺗَّﻔَﻖَ ﺍﻟْﻜُﻞُّ ﻣِﻨْﻬُﻢْ ﻭَ ﻣِﻦَ ﺍﻻﺎَﺭْﺽِ ﻭَ ﺍﻻﺎَﺟْﺮَﺍﻡِ ﺍﻟْﻌُﻠْﻮِﻳَّﺔِ ﻭَ ﺍﻟﺴُّﻔْﻠِﻴَّﺔِ ﺑِﻤَﺎ ﻻﺎ ﻳُﺤَﺪُّ ﻣِﻦْ ﺷَﻬَﺎﺩَﺍﺗِﻬِﻢُ ﺍﻟْﻘَﻄْﻌِﻴَّﺔِ ﻭَ ﺗَﺼْﺪِﻳﻘَﺎﺗِﻬِﻢُ ﺍﻟْﻴَﻘِﻴﻨِﻴَّﺔِ ﺑِﻘَﺒُﻮﻝِ ﺷَﻬَﺎﺩَﺍﺕِ ﺍﻻﺎٰﻳَﺎﺕِ ﺍﻟﺘَّﻜْﻮِﻳﻨِﻴَّﺔِ ﻭَ ﺍﻟْﻘُﺮْﺍٰﻧِﻴَّﺔِ ﻭَ ﺷَﻬَﺎﺩَﺍﺕِ ﺍﻟﺼُّﺤُﻒِ ﻭَ ﺍﻟْﻜُﺘُﺐِ ﺍﻟﺴَّﻤَﺎﻭِﻳَّﺔِ ﺍﻟَّﺘِﻰ ﻫِﻰَ ﺷَﻬَﺎﺩَﺓُ ﺍﻟْﻮَﺍﺟِﺐِ ﺍﻟْﻮُﺟُﻮﺩِ ﻋَﻠٰﻰ ﺍَﻥَّ ﻫٰﺬِﻩِ ﺍﻟْﻤَﻮْﺟُﻮﺩَﺍﺕِ ﺍٰﺛَﺎﺭُ ﻗُﺪْﺭَﺗِﻪِ ﻭَ ﻣَﻜْﺘُﻮﺑَﺎﺕُ ﻗَﺪَﺭِﻩِ ﻭَ ﻣَﺮَﺍﻳَﺎ ﺍَﺳْﻤَﺎﺋِﻪِ ﻭَ ﺗَﻤَﺜُّﻼﺎﺕُ ﺍَﻧْﻮَﺍﺭِﻩِ ﺟَﻞَّ ﺟَﻼﺎﻟُﻪُ ﻭَ ﻻٓﺎ ﺍِﻟٰﻪَ ﺍِﻻَﺎ ﻫُﻮَ